"Major movie franchise sequels might not be the safe bet they once were
With internet-born indie horrors storming past the latest “Star Wars” movie, it seems Hollywood’s winning formula might not always add up."
Link: https://sherwood.news/culture/major-movie-sequels-might-not-be-the-safe-bet-they-once-were/
#StarWars #Movies #BoxOffice #Disney #HorrorFilms #SciFi #Sequels
YouTube creators achieve major box office success with two leading weekend films
📰 Original title: This weekend’s two biggest movies were both directed by YouTubers
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅
This TechCrunch article reports on an emerging trend in the film industry: successful feature films directed by creators who originally built their audiences on YouTube. Over a single weekend, the top two movies at the box office were both directed by former YouTubers, signaling a shift in how mainstream entertainment talent is being discovered and developed. Leading the box office is “Backrooms,” directed by Kane Parsons, a filmmaker who originally gained attention through a YouTube series based on eerie found-footage storytelling inspired by internet lore. The film, produced by A24, is projected to earn approximately $81 million domestically in its opening weekend, setting a new record for the studio and surpassing the previous high set by “Civil War.” Its success demonstrates how online-native creators can translate viral concepts into major theatrical releases with wide commercial appeal. In second place is “Obsession,” directed by Curry Barker, another YouTube-origin creator known for horror content. Although its estimated $26.4 million weekend total is smaller, the film is notable for its unusual box office trajectory, growing in revenue across multiple weekends rather than declining, a rare phenomenon in modern theatrical releases. Industry context suggests this level of sustained growth is virtually unheard of outside holiday releases, with comparisons indicating it may be the first film since 1982 to increase earnings across both its second and third weekends. The article also references earlier success from YouTuber Mark Fischbach (Markiplier), whose adaptation “Iron Lung” earned nearly $41 million domestically. Industry analysts cited in the piece suggest that these creators benefit from long-standing audience relationships developed over years of content creation, allowing them to bring built-in fan bases into traditional cinema. Overall, the story highlights a broader “YouTube-to-Hollywood” pipeline, where digital creators are increasingly transitioning into mainstream filmmaking with notable commercial success.
YouTube creators achieve major box office success with two leading weekend films
📰 Original title: This weekend’s two biggest movies were both directed by YouTubers
🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅
This TechCrunch article reports on an emerging trend in the film industry: successful feature films directed by creators who originally built their audiences on YouTube. Over a single weekend, the top two movies at the box office were both directed by former YouTubers, signaling a shift in how mainstream entertainment talent is being discovered and developed. Leading the box office is “Backrooms,” directed by Kane Parsons, a filmmaker who originally gained attention through a YouTube series based on eerie found-footage storytelling inspired by internet lore. The film, produced by A24, is projected to earn approximately $81 million domestically in its opening weekend, setting a new record for the studio and surpassing the previous high set by “Civil War.” Its success demonstrates how online-native creators can translate viral concepts into major theatrical releases with wide commercial appeal. In second place is “Obsession,” directed by Curry Barker, another YouTube-origin creator known for horror content. Although its estimated $26.4 million weekend total is smaller, the film is notable for its unusual box office trajectory, growing in revenue across multiple weekends rather than declining, a rare phenomenon in modern theatrical releases. Industry context suggests this level of sustained growth is virtually unheard of outside holiday releases, with comparisons indicating it may be the first film since 1982 to increase earnings across both its second and third weekends. The article also references earlier success from YouTuber Mark Fischbach (Markiplier), whose adaptation “Iron Lung” earned nearly $41 million domestically. Industry analysts cited in the piece suggest that these creators benefit from long-standing audience relationships developed over years of content creation, allowing them to bring built-in fan bases into traditional cinema. Overall, the story highlights a broader “YouTube-to-Hollywood” pipeline, where digital creators are increasingly transitioning into mainstream filmmaking with notable commercial success.
#Watching THE HUMAN CENTIPEDE 2
Like Quentin Tarantino would have anything to do with this.
https://letterboxd.com/noeljpenaflor/film/the-human-centipede-2-full-sequence/
#horrorMovies #horrorfam #horrorFamily #movies #movie
#letterboxd #letterboxdfriday
#horrorCommunity #horrorMovie #horrorMovies #horrorFilm #horrorFilms #horrormastodon #reviews #filmreviews #moviereviews #nowwatching
AWM Talks About Backrooms
Just finished watching #EarthVersusTheSpider on #Svengoolie. The moral of the story: when Americans work together, they can kill anything.
Mathrubhumi English
Culture | The Guardian US
Miss Gayle
World news | The Guardian
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Noel J. Penaflor
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