A favourite film a day for 365 days: Breaking News.

For the opening scene, with the camera prowling along a street, up the facade of a building, into a room, back out and down to a waiting police car before, finally, winding back and forth as it observes the gunfight that breaks out between crooks and police. *Sometimes* style is enough.

#hongkongmovies #hkfilm #hongkongfilms #hkfilms
#crimefilm #crimemovie #crime #thriller #gangster

A favourite film a day for 365 days: The Mission.

Quirky, unpredictable film about a disparate group of gunmen hired to protect a triad leader. It's not so much the plot as the characters and the staging that's so engaging, with as much attention given to the five kicking a scrap of paper around while waiting for their boss, to long, wordless shoot-outs in deserted Hong Kong streets.

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A favourite film a day for 365 days: Hard Boiled.

The Killer had a good plot to hang its slow-motion pyrotechnics on. Hard Boiled is almost all pyrotechnics. The plot is so silly - an arsenal hidden in a hospital? - that you might as well forget it - and logic - and instead enjoy one stunning action sequence after another. Think of it as a musical, just one with guns instead of dance steps.

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A favourite film a day for 365 days: Mr Nice Guy.

The actual 'plot' gets a little too harsh at times, but not enough to overflow the stunts and acrobatics. The chase in the building site is fabulously inventive.

#actionmovies #funny #cinephile #hongkongmovies #hkfilm #hongkongfilms #hkfilms  #jackiechan

A favourite film a day for 365 days: Supercop.

3 from Jackie Chan. Not much to say except sit back and revel in the stunts. (And the fact that the awesome Michelle Yeoh often out-kicks the master and lands a motor-bike on a moving train!)

#actionmovies #hongkongmovies #hongkongfilms #hkfilms  #jackiechan

Longing for something...
<Hong Kong Short Films>

Four recent short films from Hong Kong, very arty and heavy with meaning program in a sold out cinema at #Brotfabrik #Berlin.

Longing is reflected through personal relationships in a sexual dance performance, memories and identity of adopted children in the UK and of course those of the street protests in Hong Kong.

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