#Bales2025FilmChallenge of August 1: red: a building or structure

Viskningar och rop [Cries and Whispers] (Ingmar Bergman, 1972)
Red as an expression of inner and outer worlds. Even the scene transitions are red.

https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-9m4j

#IngmarBergman #HarrietAndersson #KariSylwan #IngridThulin #LivUllmann #AndersEk #IngaGill #SvenNykvist #cinemastodon #film

#Bales2025FilmChallenge of July 27: someone naps or sleeps

Sommaren med Monika [Summer with Monika] (Ingmar Bergman, 1953)
https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-m0bg

#IngmarBergman #PerAndersFogelström #HarrietAndersson #LarsEkborg #DagmarEbbesen #ÅkeFridell #NaemiBriese #ÅkeGrönberg #SiggeFürst #JohnHarryson #ErikNordgren #EskilEckertLundin #WalleSöderlund #GunnarFische #cinemastodon #film

#Bales2025FilmChallenge of May 17: an actor, director, or character from #Sweden

Den vita väggen [The White Wall] (Stig Björkman, 1975)

Monika – in spirit the Monika from Bergman's Sommaren med Monika (1953) – is middle-aged, unemployed, and in limbo. We follow her life for a single day.

https://write.underworld.fr/settima/section-class-boxinfo-markdown-1-lvhc

#StigBjörkman #HarrietAndersson #LenaNyman #SvenWollter #TomasPontén #SvenOlofWalldoff #PetterDavidson #cinemastodon #film

Through a Glass Darkly (1961)
Director: Ingmar Bergman

#ingmarbergman #harrietandersson #swedish #cinema #dark