Barbie: Some Good, Some Bad in Uplifting Feminist Romp 💗

Here we have the 2023 sensation Barbie, written and directed by husband and wife team Greta Gerwig and Noah Baumbach. This was the biggest film of the year, with an all-star cast headed up by Margot Robbie and Ryan Gosling.

It’s a darkly satirical comedy film, a live-action version, that explores a stereotypical Barbie’s quest for enlightenment, challenging the patriarchy and an army of dim-witted Kens along the way.

An Existential Crisis in the World of Barbie

Right, so the plot follows the life of Barbies living in a matriarchal society in a world away from our real life (kind of in a separate dimension). The Barbies life with half-witted Kens, plus a bunch of discontinued models that are viewed as undesirables.

The Barbie world is supposed to be perfect, with stereotypical Barbie (Margot Robbie) the embodiment of female beauty and glorious day-to-day existence. Their days are spent dancing the being perfect. Like this!

Ken (the Ryan Gosling one) is competing with other Kens to win over stereotypical Barbie. However, their world doesn’t seem to have any concept of what physical intimacy is and so he’s continuously turfed to one side.

Then stereotypical Barbie starts having an existential crisis.

She visits Weird Barbie (Kate McKinnon), a social outcast after excessive exuberant play from a child, who tells her to visit the real human world and work out why she’s having the crisis. Ken stows away with her to try and win her hand.

After they reach the real world, two things happen:

  • Stereotypical Barbie gets heckled a lot and finds the overbearingly sexist real world stressful
  • Ken finds the patriarchal society exactly to his liking and begins expecting stuff in return for simply for being a man (i.e. male entitlement)
  • It’s a great set up for a film and one we’re pleased such a concept got greenlit as a major blockbuster. It’s just we think the ultimate execution (despite a strong script) often falls flat.

    Barbie is a bit heavy-handed with its concept. This is good and bad, the good being it goes for the jugular and savages silly male privilege. The bad is this is presented in quite a simplistic way, that can also be a little overbearing, meaning adults steeped in feminist theory may find it a little obvious.

    This is a PG-13, though, so as far as we’re concerned it’s a film aimed at girls and young women. In the way Michael Bay makes films for boys, Greta Gerwig is making films to inspire girls. And that’s fabulous.

    It does mean, for us at 41, we found the film a bit disappointing. It’s a 3/5 type deal, but probably as we’d get more out of it if we were the target audience.

    Barbie does have its moments, no doubts, not least with Ryan Gosling on hilarious form as the hapless Ken. There’s an absurd dance number he does really well (“I’m Just Ken”) with great cringeworthy lyrics about him being a 10/10 and all that manosphere stuff.

    ‘Cause I’m just Ken, anywhere else I’d be a ten,
    Is it my destiny to live and die a life of blonde fragility?

    I’m just Ken,
    Where I see love, she sees a friend,
    What will it take for her to see the man behind the tan and fight for me?

    Here it all is in full, complete with massively OTT production values.

    It’s a fast-paced film with plenty of gags and clever concepts, but it’s often dragged down by labouring on its point a little too much. Although it is the most feminist mainstream Hollywood film we think there’s ever been, so that in itself is glorious.

    And Barbie is good. Just not great. At 114 minutes, so of its humour does fall a little flat and the film can feel a little awkward at times. But then in the next scene it can land I’m Just Ken on you and it’s a banger again.

    Bit of a mixed bag, then, but plenty to enjoy. Especially for younger female viewers, who we think (and hope) found the whole thing hilarious and inspiring.

    The Production of Barbie

    One of the popular right-wing soundbites (of many) is the tedious “go woke, go broke“. The theory being diversity, inclusivity, and feminism lead to a lack of financial success. Well, Barbie made $1.448 billion at the global box office. In fact, it was the top earning film of 2023.

    It beat Oppenheimer, a bunch of superhero films, the latest Mission Impossible, and the Super Mario Bros. Movie (the latter was second on $1.3 billion). Go woke, go broke indeed


    Anyway, despite the film’s financial success, Greta Gerwig has stated she doesn’t want to turn this into another Hollywood franchise. It’s likely to be a standalone film and, we think, that’s for the best. Although we should imagine studio pressure to cash-in will lead to a prequel (or something) eventually.

    The concept for a live-action Barbie film had been mulled over since the 1980s.

    The idea was renewed in late 2009 by toy manufacturer Mattel, but the project continued to be delayed. In 2016, comedian Amy Schumer almost got the project greenlit, but she dropped out in March 2017 after a disagreement with producers. But things really took off when Australian actor Margot Robbie agreed to the lead Barbie role in 2019.

    And, yes, she was cast as she has that conventional blonde and beautiful look. But also because she’s a very good actor, anyone who’s seen I, Tonya (2017) can confirm that.

    With Robbie onboard, plus acting as a producer, she approached Greta Gerwig about directing. She agreed, but only on the basis her husband Noah Baumbach be part of the scriptwriting.

    Thus, the legacy was complete! And the shoot went ahead on sets adapted for a Palm Springs, mid-century modernist interior design look. HOWEVER! Perhaps surprisingly, the film was shot at Warner Bros’ UK studios in July of 2022. Barbie gives off the whole vibe of a sun-baked American summer but, no, a chunk was filmed in rainy old England.

    On a final note, Mattel’s delay on all of this from the 1980s was a massive win.

    The film pokes a lot of fun and playful mockery of the nature of Barbie dolls, which seem anachronistic to modern life. Although the company has worked to make them more diverse, inclusive, and empowering over the last decade or so.

    Well, the plan worked a treat and global sales of Barbie dolls went up thanks to the film. It’s also done its reputation a lot of good, showing they’re not a bunch of stuffy corporate shills unable to take criticism. If only more businesses could take note.

    #Barbie #Capitalism #Comedy #Existentialism #Fantasy #Feminism #GretaGerwig #MargotRobbie #NoahBaumbach #patriarchy #RyanGosling #Satire #satirical

    Netflix Film Chief Dan Lin Says Streamer Has “Accepted” It Won’t Work With Directors Who Want Theatrical Releases
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    https://deadline.com/2026/06/netflix-films-theatrical-release-dan-lin-1236942864/

    Netflix Film Chief Dan Lin Says Streamer Has “Accepted” It Won’t Work With Directors Who Want Theatrical Releases

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    Deadline

    Netflix Film Head Says Streamer Has “Accepted” They Won’t Work With “Filmmakers Who Still Want Theatrical” Releases
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    Netflix Film Head Says Streamer Has “Accepted” They Won’t Work With “Filmmakers Who Still Want Theatrical” Releases

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    The Hollywood Reporter

    Frances Ha: Ahoy Sexy! It’s a Great Greta Gerwig Comedy Drama 💃

    Directed by Noah Baumbach, who also co-wrote Frances Ha with Greta Gerwig, this is an excellent 2012 comedy drama. It’s about a 27-year-old dancer living in New York (played by Greta Gerwig) as her life struggles to take off.

    As real life kicks in and the joys of youthful carefree freedom begin to fade, she battles with departing friends and career struggles. All to the tune of bittersweet comedic moments and other nuances.

    Oh My Gawd, it’s Your 20s in Frances Ha

    Noah Baumbach and Greta Gerwig are geniuses in the mumblecore film genre. If you think of modernised versions of Woody Allen films such as Annie Hall (1977) you’re getting there.

    Baumbach films such as Marriage Story (2019) and Gerwig’s directorial debut Lady Bird (2017) deal with common life issues, with a big emphasis on naturalistic acting.

    Frances Ha was a breakout moment for Greta Gerwig. She got a Golden Globe Nomination for this role, where she plays bumbling apprentice dancer Frances Halladay.

    Whilst trying to get her dancing career started in New York, Frances goes about standard stuff such as dating troubles and the like.

    She’s extremely close with her best friend and flatmate Sophie Levee (Mickey Sumner, who is the eldest daughter of musician Sting), the pair of them sparring off each other very well as they enjoy life together.

    “Ahoy sexy!” becomes a running in-joke across the film, with the men in their lives acting as a strange psychological barrier. There’s Lev, for example, played by Adam Driver (who’s since gone on to become a big Hollywood star in Star Wars and also Baumbach’s Marriage Story).

    But much of the drama begins when Sophie falls in love with a guy called Patch (Patrick Heusinger) and gets engaged, before then moving to Tokyo.

    This startles Frances and destroys here sense of stability. It’s the moment in life when things begin diverging and the life you may be happy with starts to change, not least as friends/family get married and have kids.

    But Frances Ha also catches very well the sense of fun you have in your 20s, the carefree way people are. Before the mind-numbing cynicism and/or life commitments start kicking in.

    Much of Frances Ha is, arguably, about her desire to stay in this happy state for as long as she can, whilst her friends are busy moving on. This forcing her into isolation she struggles to deal with.

    The narrative shows Frances starting to accept some need for change. She realises becoming a famous dancer only works out for a handful of people, so takes up a dance choreography role to pay the bills.

    She also starts dating a nice guy called Benji (Michael Zegen), having previously been somewhat oblivious to his interest in her.

    But
 she does keep clinging to the belief Sophie is her best friend. Despite the various trials and tribulations the pair have across the film, with it seemingly inevitable the pair are set to drift apart.

    An excellent slice of life, then, and a fine representation of your 20s. The many things that go wrong, a few things that go right, and all played out by a brilliant cast that’s since gone on to some great things.

    Especially, unlike the character she plays, Greta Gerwig. She did get her lucky break and has since written and directed the likes of the satire Barbie (2023).

    Better still, whilst filming Frances Ha she and director Noah Baumbach fell head over heels and later got married in December 2023. They now have two kids, too. Ahoy sexy indeed.

    The Production of Frances Ha

    The film had a $3 million budget and went on to make $11.3 million, marketed as it was as Greta Gerwig’s arrival as a major new talent. This led some to snub the film, including UK film critics James King and Peter Bradshaw, who were a bit snotty about it.

    They dismissed it as not funny enough and too Hipster. Back in 2012, the whole “hipster” was getting a bit annoying (skinny jeans, stupid big beards, a sense of vintage whimsy), but we think the film doesn’t wallow in any of that too much. It’s just a sweet-natured film with some good life lessons.

    And most of the contemporary critical feedback was very positive.

    Unsurprisingly, Woody Allen’s 1977 classic Annie Hall was a big influence for Gerwig and Baumbach, alongside French New Wave cinema (the reason why Frances Ha is in black and white) and Joseph Conrad’s novella The Shadow-Line (1916).

    Baumbach used 50mm prime lens and 70-200mm zoom lens cameras for the shoot, smaller cameras that saved on budget and allowed cast and crew to zip around at faster speeds. Much of the film was shot in New York, but the crew also went out to Paris, where the limited set needs allowed them to slink around unnoticed.

    Oh yes, and Gerwig does a fair bit of ballet dancing in the film.

    When she was younger at school, she took dance and competitive fencing lessons. She’d planned to go to uni for musical theatre in New York, but wound up doing English and Philosophy instead. But the earlier life stuff is why she’s able to dance so well in Frances Ha. Just so you know! đŸ’ƒ

    #AhoySexy #Comedy #Drama #FeaturedPost #FrancesHa #GretaGerwig #Lifestyle #Mumblecore #NewYork #NoahBaumbach
    Imax Near to Replacing ‘Narnia’ in Exclusive Thanksgiving 2026 Release Slot

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    The Hollywood Reporter
    Mike Mills – „Jahrhundertfrauen“ (2016)

    Mike Mills erzĂ€hlt von seiner Kindheit in Kalifornien, aber eigentlich von viel mehr: Von MĂŒttern, die keine klassischen MĂŒtter sind. Von den Frauen, die ihn geprĂ€gt haben. Und von einer Zeit, die sich noch nicht entscheiden konnte, ob sie schon modern ist oder doch noch ein Echo der Vergangenheit. (ARD, Wh.)

    Zum Blog: https://nexxtpress.de/mediathekperlen/mike-mills-jahrhundertfrauen-2016/

    How School Shooting Satire ‘Our Hero, Balthazar’ Director Oscar Boyson Found His Style While Making Movies With Greta Gerwig and the Safdie Brothers

    https://fed.brid.gy/r/https://variety.com/2026/film/features/our-hero-balthazar-director-school-shooting-1236741883/

    How School Shooting Satire ‘Our Hero, Balthazar’ Director Oscar Boyson Found His Style While Making Movies With Greta Gerwig and the Safdie Brothers
    #Variety #Features #GretaGerwig #OscarBoyson #OurHeroBalthazar #SafdieBrothers

    https://variety.com/2026/film/features/our-hero-balthazar-director-school-shooting-1236741883/

    'Our Hero, Balthazar' Director on School Shooting Drama Inspirations

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    Variety

    Tudo o que sabemos sobre a nova versão de ‘As Crînicas de Narnia’ de Greta Gerwig: título, elenco, lançamento e mais

    https://fed.brid.gy/r/https://rollingstone.com.br/cinema/tudo-o-que-sabemos-sobre-a-nova-versao-de-as-cronicas-de-narnia-de-greta-gerwig-titulo-elenco-lancamento-e-mais/