Paintings of visits to India 1878-1944

https://fed.brid.gy/r/https://eclecticlight.co/2026/05/17/paintings-of-visits-to-india-1878-1944/

Principales temas de la edición dominical de Diario PERFIL: economía, política y sociedad

📰 Título original: La tapa de Diario PERFIL del domingo 17 de mayo de 2026

🤖 IA: No es clickbait ✅
👥 Usuarios: No es clickbait ✅

Ver resumen IA completo: https://es.killbait.com/principales-temas-de-la-edicion-dominical-de-diario-perfil-economia-politica-y-sociedad.html?utm_source=mastodon_social&utm_medium=social&utm_campaign=killbait_argentina.mastodon_social

#actualidad #general

The Hero of Latin American Freedom: Manuela Sáenz

Dear Manuela Sáenz,

I’m writing to you from a world that still says your name a little too quietly.

You were many things. Revolutionary, strategist, lover, exile. But history, for a long time, tried to compress you into a footnote beside Simón Bolívar. That feels… insufficient.

So this is an attempt to speak to you directly. Not as a symbol, not as a scandal, not even as an afterthought. But as a person who lived loudly in a time when women were expected to remain silent.

You weren’t supposed to become who you became.

That much is clear.

You were born into a world that had already decided your limits. Illegitimate and inconvenient. A woman in a society that measured worth through obedience and reputation. The kind of world that teaches you embroidery and etiquette, just in case you get any ideas about having a voice.

And yet, somehow, you did just that.

You slipped through expectations like they were badly tied knots. You learnt, listened, and questioned. You didn’t just observe history. You became it.

I keep thinking about you in Lima as someone building networks, passing information, persuading an entire battalion to switch sides. That’s not rebellion for the sake of it. That’s precision. That’s intent.

You weren’t just in the independence movement; you were shaping it.

And still, they tried to keep you out.

You wrote, frustrated, about being denied the right to fight alongside the army. About how you and the women beside you, your Jonathas and Nathan, felt the same fire, the same urgency, the same claim to freedom.

“We are Creoles and mulattos, to whom the freedom of this land belongs.”

That line lingers. It doesn’t ask for permission. It doesn’t soften itself. It just… states the truth.

And then there’s your love story. Or at least, that’s how it’s often framed, as if that’s the most interesting thing about you.

But even that, you refused to play by the rules.

You loved Simón Bolívar openly, unapologetically, without reshaping yourself to fit what society accepted. When your husband demanded your return, you didn’t respond with guilt or compromise. You responded with clarity.

“Do you believe me less honourable because he is my lover and not my husband?”

There’s something almost modern about that question. The way it cuts through expectation and lands somewhere much more honest.

But what stays with me most is the night you saved his life.

The September Night.

You saw the danger coming before anyone else wanted to believe it. You warned him. He dismissed it. And when the moment arrived, when the palace doors were forced open, when violence flooded the room, you didn’t hesitate.

You woke him. You argued with him. You made him leave.

And then you stayed.

Sword in hand. Alone.

Buying time.

It’s such a quiet kind of bravery, isn’t it? Not loud. Not performative. Just necessary.

And yet, even after everything—the battles, the strategies, the risks—you were still too much for the world you helped create.

So they exiled you.

Not because you failed, but because you didn’t fit.

I imagine you in Paita sometimes. The distance. The quiet. The shift from influencing nations to translating letters for passing ships, making sweets, and surviving in the margins of the story you helped write.

It doesn’t feel like an ending that matches the life you lived.

But maybe that’s the point.

Maybe the world didn’t know what to do with you once it no longer needed your defiance.

And maybe, in some ways, it still doesn’t.

Writing to you feels a bit like correcting a silence.

Not completely—history is stubborn—but enough to notice the gap you left behind. You remind me that influence doesn’t always come with recognition, and that being essential doesn’t guarantee being remembered.

But also—this matters—you lived anyway.

Fully, defiantly, without waiting for approval.

And maybe that’s the part that carries forward most clearly.

So perhaps the real question isn’t why history forgot you.

It’s how many others it’s still trying to.

“I have no choice but to do my will, which is stronger than me.”

Manuela Sáenz. Source.

Sources

open.edu/openlearn/history-the-arts/world-changing-women-manuela-saenz

bbc.co.uk/sounds/play/w3csyp5c

artsandculture.google.com/asset/photograph-of-manuela-saenz-eugenio-courret/lAG7VRe7P5xdXw?hl=en

en.wikipedia.org/wiki/Manuela_S%C3%A1enz

rejectedprincesses.com/princesses/manuela-saenz

facebook.com/DailyDoseofHistory/posts/the-life-of-manuela-s%C3%A1enz-was-to-put-it-mildly-unconventional-a-celebrated-hero-/1168236882069054/

jstor.org/stable/10.7560/718296

britannica.com/biography/Manuela-Saenz

thecollector.com/biography-manuela-saenz/

latinolife.co.uk/articles/manuelita-saenz-harlot-americas

What do you think of Manuela Sáenz, reader?

Toodle-Pip :}{:

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Hinweise und Ideen für Vorführungen von “Chronically Radical”

Wir haben jetzt 6 Jahre an diesem Film gearbeitet und dabei sehr viel von den Menschen darin gelernt. Wir hoffen durch diesen Film dieses Wissen weitergeben und Veränderungen anstossen zu können! Danke euch dass ihr uns dabe

https://chronicallyradical.noblogs.org/de/post/2026/05/17/hinweise-und-ideen-fuer-vorfuehrungen-von-chronically-radical/

#Behinderung #Film #General #Behinderung #ChronicallyRadical #Disability

汎用型カナ表記一覧　第壱刊
Список загальноприйнятих нотацій кана: Том 1
General-purpose kana notation list: Volume 1

https://www.deviantart.com/poison-raika/art/Han-you-gata-Kana-Hyouki-Ichi-ran-Dai-ikkan-1313523326

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#katakana #cyrillic #latin_letters #phoneme #list #general #purpose #notation #free_resource #teaching_material #transliteration #character_learning #new_method #free_offer #Global_Society #alphabet #compatibility #applicable

汎用型カナ表記一覧　第弐刊
Список загальноприйнятих нотацій кана: Том 2
General-purpose kana notation list: Volume 2

https://www.deviantart.com/poison-raika/art/Han-you-gata-Kana-Hyouki-Ichi-ran-Dai-nikan-1313877525

<>

#katakana #cyrillic #latin_letters #phoneme #list #general #purpose #notation #free_resource #teaching_material #transliteration #character_learning #new_method #free_offer #Global_Society #alphabet #compatibility #applicable

汎用型カナ表記一覧　第壱刊
Список загальноприйнятих нотацій кана: Том 1
General-purpose kana notation list: Volume 1

https://www.deviantart.com/poison-raika/art/Han-you-gata-Kana-Hyouki-Ichi-ran-Dai-ikkan-1313523326

<>

#katakana #cyrillic #latin_letters #phoneme #list #general #purpose #notation #free_resource #teaching_material #transliteration #character_learning #new_method #free_offer #Global_Society #alphabet #compatibility #applicable

汎用型カナ表記一覧　第弐刊
Список загальноприйнятих нотацій кана: Том 2
General-purpose kana notation list: Volume 2

https://www.deviantart.com/poison-raika/art/Han-you-gata-Kana-Hyouki-Ichi-ran-Dai-nikan-1313877525

<>

#katakana #cyrillic #latin_letters #phoneme #list #general #purpose #notation #free_resource #teaching_material #transliteration #character_learning #new_method #free_offer #Global_Society #alphabet #compatibility #applicable

Alright, uh, I'm rather new at these stuff. Can someone explain me which app/site/what do I need to do to... this?

https://lemmy.world/post/46952987