Am I a bad person for being deliriously happy when the obnoxious, penny stealing kid in FINAL DESTINATION: BLOODLINES was satisfyingly killed by the falling piano? 😄 https://tv.apple.com/movie/final-destination-bloodlines/umc.cmc.5qfqpx54akwcmzwfwwwq43kb5?itscg=30200&itsct=tv_box_link&mttnsubad=umc.cmc.5qfqpx54akwcmzwfwwwq43kb5&at=1001l36Ao&ct=Mastodon
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Eric McCormack, Zach Lipovsky to Receive Awards at British Columbia Directors Conference (Exclusive)
#MovieNews #Movies #EricMcCormack #FinalDestinationBloodlines #Vancouver #ZachLipovsky
https://www.hollywoodreporter.com/movies/movie-news/eric-mccormack-zach-lipovsky-awards-1236474035/
Death as Cosmic Bureaucracy "Final Destination: Bloodlines" represents a remarkable formal evolution within the franchise. Yet beneath its acclaimed technical refinement lies a profoundly reactionary ideological apparatus that naturalizes neoliberal fatalism while commodifying intergenerational trauma as spectacle. The film's central conceit—that death targets only those connected by bloodline to the 1969 Skyview Tower survivors—establishes biology as an inescapable ontological category. Unlike previous franchise entries that employed randomized survivor groups, Bloodlines literalizes descent as destiny: Stefani, Charlie, and their relatives are "punished" for Iris Campbell's disruption of Death's "design" precisely because they "shouldn't exist". This narrative choice reifies essentialist notions of
James Cunningham's Top 10 Films of 2025
Link: https://film-book.com/james-cunninghams-top-10-films-of-2025/?fsp_sid=120325
#BringHerBack #Bugonia #DangerousAnimals #Editorial #FinalDestinationBloodlines #OneBattleAfterAnother #Sinners #SpinalTapIITheEndContinues #TrainDreams #WakeUpDeadMan #Weapons
Ian Gregoire (Author) ☑
The Hollywood Reporter
Curt Johnson - Indie Genius
Big_Shell 🏴☠️
FilmBook
Sébastien Fibla
IndieWire