Shockierender Beitrag über die Plattformökonomie #lohnraub #fairwork
Hintergrund: Lieferando & Co - Fahrer klagen über prekäre Arbeitsverhältnisse
Episode webpage: https://www.deutschlandfunk.de/lieferando-co-fahrer-klagen-ueber-prekaere-arbeitsverhaeltnisse-100.html
There was a story told about the internet and music: the old industry was gatekept and extractive, pirates were everywhere, stealing your revenue. Streaming would protect your work, democratise distribution and let artists connect directly with audiences. It was a persuasive story. It also turned out to be considerably more useful to the platforms than to the artists.
What actually happened was that the infrastructure of music distribution was rebuilt around a different extraction model — one that kept artists as necessary inputs while moving the profits elsewhere. And it's still owned by gatekeepers pirates… they've just gone legit…
I've been thinking about this for the better part of a decade, which is part of what led me to co-found The Pack. Not because nostalgia is a viable strategy, but because I think the original premise — that artists deserve to own their distribution infrastructure and not be owned by labels and billionaire tech bros - was right and remains achievable. We're crowdfunding to do it. Can you help?
https://crowdfunding.startsomegood.com/thepackmusiccoop #CreativeEconomy #FairWork #CooperativeValues #MusicIndustry
A work contract isn’t just about today’s pay.
Declared work means protection, rights, and security for your future.
🔗 See why it matters: https://eures.europa.eu/declared-work-benefits-all-heres-why-it-matters-you-2026-03-12_en
#EURESjobs #FairWork #WorkInEurope
A work contract isn’t just about today’s pay.
Declared work means protection, rights, and security for your future.
🔗 See why it matters: eures.europa.eu/declared-wor…
#EURESjobs #FairWork #WorkInEurope
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https://nitter.net/EURESJob/status/2058125905247994202#m
Not all work is visible, and that’s a problem.
Undeclared work affects rights, fairness, and competition across Europe.
Find out what’s changed after 10 years of @EU_ELA action.
🔗 https://www.ela.europa.eu/en/news/ten-years-european-platform-tackling-undeclared-work-decade-results
#EURESjobs #FairWork #WorkInEurope
Not all work is visible, and that’s a problem.
Undeclared work affects rights, fairness, and competition across Europe.
Find out what’s changed after 10 years of @EU_ELA action.
🔗 ela.europa.eu/en/news/ten-ye…
#EURESjobs #FairWork #WorkInEurope
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https://nitter.net/EURESJob/status/2056405043734040826#m
Today the European Labour Authority marks the 10th anniversary of the European Platform tackling undeclared work, celebrating ten years of cooperation to promote declared work, protect workers’ rights and support fair labour markets across the EU.Established by the European Commission on 11 March 2016, the Platform brings together labour inspectorates, tax administrations, social security institutions, social partners, and experts from across Europe. Since joining ELA, it has become a practical forum for exchanging tools, methods, and enforcement practices.
There was a story told about the internet and music: the old industry was gatekept and extractive, pirates were everywhere, stealing your revenue. Streaming would protect your work, democratise distribution and let artists connect directly with audiences. It was a persuasive story. It also turned out to be considerably more useful to the platforms than to the artists.
What actually happened was that the infrastructure of music distribution was rebuilt around a different extraction model — one that kept artists as necessary inputs while moving the profits elsewhere. And it's still owned by gatekeepers pirates… they've just gone legit…
I've been thinking about this for the better part of a decade, which is part of what led me to co-found The Pack. Not because nostalgia is a viable strategy, but because I think the original premise — that artists deserve to own their distribution infrastructure and not be owned by labels and billionaire tech bros - was right and remains achievable. We're crowdfunding to do it. Can you help?
https://crowdfunding.startsomegood.com/thepackmusiccoop #CreativeEconomy #FairWork #CooperativeValues #MusicIndustry
There was a story told about the internet and music: the old industry was gatekept and extractive, pirates were everywhere, stealing your revenue. Streaming would protect your work, democratise distribution and let artists connect directly with audiences. It was a persuasive story. It also turned out to be considerably more useful to the platforms than to the artists.
What actually happened was that the infrastructure of music distribution was rebuilt around a different extraction model — one that kept artists as necessary inputs while moving the profits elsewhere. And it's still owned by gatekeepers pirates… they've just gone legit…
I've been thinking about this for the better part of a decade, which is part of what led me to co-found The Pack. Not because nostalgia is a viable strategy, but because I think the original premise — that artists deserve to own their distribution infrastructure and not be owned by labels and billionaire tech bros - was right and remains achievable. We're crowdfunding to do it. Can you help?
https://crowdfunding.startsomegood.com/thepackmusiccoop #CreativeEconomy #FairWork #CooperativeValues #MusicIndustry
There was a story told about the internet and music: the old industry was gatekept and extractive, pirates were everywhere, stealing your revenue. Streaming would protect your work, democratise distribution and let artists connect directly with audiences. It was a persuasive story. It also turned out to be considerably more useful to the platforms than to the artists.
What actually happened was that the infrastructure of music distribution was rebuilt around a different extraction model — one that kept artists as necessary inputs while moving the profits elsewhere. And it's still owned by gatekeepers pirates… they've just gone legit…
I've been thinking about this for the better part of a decade, which is part of what led me to co-found The Pack. Not because nostalgia is a viable strategy, but because I think the original premise — that artists deserve to own their distribution infrastructure and not be owned by labels and billionaire tech bros - was right and remains achievable. We're crowdfunding to do it. Can you help?
https://crowdfunding.startsomegood.com/thepackmusiccoop #CreativeEconomy #FairWork #CooperativeValues #MusicIndustry
Fair Work abolishes junior pay rates, with half a million young Australians to be paid more
Union celebrates ‘landmark decision’ that will mean adults aged 20 or younger are no longer paid less
W.E.B. TheBoys
@packmusic
EURES
Tim Green
Imogen 
cass-Aby-andra