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Eric Dolphy at the Five Spot is a pair of live albums by the jazz musician and composer Eric Dolphy. They were released in December 1961 (Volume 1) and November 1963 (Volume 2) by Prestige Records. They were recorded on the night of 16 July 1961 at the end of Dolphy's two-week residency, alongside trumpeter Booker Little, at the Five Spot jazz club in New York. It was the only night to be recorded. The engineer was Rudy Van Gelder.

Dolphy's composition "The Prophet" is a tribute to the artist Richard "Prophet" Jennings, who had designed the covers of Dolphy's earlier albums, Outward Bound and Out There.

In an AllMusic review of volume 1, Michael G. Nastos stated that Dolphy's group had "developed into a role model for all progressive jazz combos to come" - Wikipedia

https://www.youtube.com/watch?v=ZXTdcseaWJg

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Listening to Eric Dolphy's album 'Out To Lunch' (1964).

Freddie Hubbard, trumpet
Eric Dolphy, alto sax, flute, bass clarinet
Bobby Hutcherson, vibes
Richard Davis, bass
Tony Williams, drums

https://album.link/y/PL923EB42A5CC1582C

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Far Cry is the third album by jazz musician Eric Dolphy, released in 1962 on New Jazz (a subsidiary of the Prestige label.) Featuring a quintet co-led with trumpeter Booker Little, it is one of the few recordings of their partnership....

The authors of The Penguin Jazz Guide noted that Far Cry "marks the first recorded appearance of Dolphy's most celebrated composition, 'Miss Ann', a delightful 14-bar theme that he was to play until the end of his life", and describe Dolphy's performance of "Tenderly" as "an astonishing, unaccompanied alto solo, a piece of work that bridges Coleman Hawkins's pioneering 'Picasso' and Dolphy's own later solo bass clarinet excursions on 'God Bless The Child', except that here the tune is still very much in evidence. Some have suggested that he was influenced by Sonny Rollins's unaccompanied 'Body And Soul', recorded two years earlier." - Wikipedia

https://www.youtube.com/watch?v=sS4xWuWRlKk&list=PLxLqEmaBJ4zx9PNs7tOhaP_zo024wPDSG&index=1

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Out There is an album by Eric Dolphy which was released by Prestige Records in September 1961. It features Dolphy in a quartet with bassists Ron Carter (here playing cello) and George Duvivier, and drummer Roy Haynes. It was Dolphy's second album as a leader, released following his time with Charles Mingus.

Dolphy's group on Out There resembles the late 1950s ensembles of Chico Hamilton, with whom Dolphy played and recorded during that time, in that it features both a cello and a bass; however, unlike Hamilton's group, Dolphy's does not contain a guitar or other chordal instrument.

Writing for PopMatters, Will Layman called the album "a dream come true", and noted how Dolphy and Carter are "free to explore harmony above the minimal barriers of George Duvivier's bass lines and Roy Haynes' snap-crackle-pop stick work.".. - Wikipedia

https://www.youtube.com/watch?v=KAkXNfUh-iQ

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Percussion Bitter Sweet is an album by jazz drummer Max Roach recorded in 1961, released on Impulse! Records.

Review by Scott Yanow

A classic album, and one of the finest of drummer Max Roach's very productive career. The illustrious sidemen (trumpeter Booker Little; trombonist Julian Priester; Eric Dolphy on alto, bass clarinet, and flute; tenorman Clifford Jordan; pianist Mal Waldron, and bassist Art Davis, in addition to some guest percussionists) all have opportunities to make strong contributions. Dolphy's pleading alto solo on "Mendacity" is particularly memorable. Abbey Lincoln has two emotional and very effective vocals, but it is the overall sound of the ensembles and the political nature of the music that make this set (along with Roach's Freedom Now Suite) quite unique in jazz history.

https://www.youtube.com/watch?v=SYVROlfIXDQ&list

#MaxRoach #EricDolphy #AbbeyLincoln #Jazz #ImpulseRecords #Music #BookerLittle #JulianPriester #MalWaldron #ArtDavis #MarcusGarvey #CliffordJordan