"The extent to which #extractivist #platforms have embraced #FreeCulture, capitalizing on voluntary #work and free labor, has become clear, as well as how the success of Free/Libre and #OpenSource #Software relied on its alignment with an #IT #industry profiting from #exploitation and speculating on growth. [...] How can we create conditions for re-use which acknowledge different kinds of contributors? What would a #decolonial and #feminist #license look like which could acknowledge entangled notions of #authorship? #CC4r opens up a space for negotiation and conversation, but is far from answering any of these questions. With CC4r, we hope to incite thoughtful and irreverent #practices that do not evade these questions but instead invite its users to inhabit them. For us, CC4r is more than a license. It is a commitment to care for the collective conditions of the many, for “these explosions, the principle and #economy of which we have not begun to grasp, and whose outbursts we cannot predict.""
#ÉlodieMugrefya #FemkeSnelting
https://march.international/collectively-setting-conditions-for-re-use/

"How is #power distributed in a world that is worlded by #axes, #planes, #dimensions and #coordinates?"
"Volumetric Regimes emerges from #PossibleBodies, a collaborative project on the intersection between artistic and academic research. The project was initiated in 2016 to explore the very concrete and at the same time complex and fictional entities of so-called "#bodies" in the context of #3D #computation. Volumetric Regimes brings together diverse materials from an ongoing conversation between artists, software developers and theorists working with techniques and technologies for detecting, tracking, printing, modelling and rendering volumes."
@Femke + #JaraRocha + #ElodieMugrefya at erg this Thursday with #VolumetricRegimes
https://wiki.erg.be/w/Volumetric_Regimes:_Material_Cultures_of_Quantified_Presence_-_PUBLIC_EVENT_ERG,_as_part_of_Rendering_Research