For this week's #ArtAdventCalendar, in honour of the publication this year of my book "Dreams of Amarna", a sequence of Egyptological pieces..
A little watercolour of one of the basket-children.
For this week's #ArtAdventCalendar, in honour of the publication this year of my book "Dreams of Amarna", a sequence of Egyptological pieces..
A little watercolour of one of the basket-children.
For this week's #ArtAdventCalendar, in honour of the publication this year of my book "Dreams of Amarna", a sequence of Egyptological pieces..
This is one of the #EgyptianMarginalia I painted to illustrate the book, based on a small carved stone head, thought to depict one of the princesses, daughters of Akhenaten and Nefertiti.
Whatever the level of devotion #Akhenaten's subjects felt to his singular god, the sun disc, they still had amulets and ornaments littering their houses.
I enjoyed trying to get the sense of gloss of the glaze and the uneven colour in some of them with my watercolours.
Here's a #watercolour from beginning to end. The source photo is one I took of a reconstruction of Tutankhamen's tomb at the exhibition "Tutankhamen: his tomb and treasures", and it is quite breathtakingly complicated. I've found over the years that a detailed drawing has an inhibiting effect, so this is an experiment.
I started by placing everything approximately in pale colour. Once that was dry, I made up a dark mix, and just started somewhere, trying to put in the dark shapes, just as shapes...
Then several hours of Stare, Paint, Repeat.
Then, finally Finished. It's clearly, I think, still a painting, but it swam into focus as I added little bits of shadow and colour, gradually refining the result.
Stitching the #AmarnaFamilyGroup during lockdown, now rendered in #watercolour, to be one of the #EgyptianMarginalia for the #DreamsOfAmarna.
I may have said already that I think I don't have quite enough paintings for the marginalia.
Photography is an important archaeological discipline, and when we visited Lindisfarne castle a couple of weeks ago, I found a camera of about the right era ..
It's a very limited palette, only earth colours and ultramarine. Not finished, but a start.
#DreamsOfAmarna #EgyptianMarginalia #watercolour #LimitedPalette
The same tone-chasing gave me Flinders Petrie himself, standing casually against the rock, hands behind his head..
#DreamsOfAmarna #EgyptianMarginalia #Watercolours #TonalPainting
I sat back, cross eyed and a bit blurred with all that tonal work - and discovered the dog.
I hadn't realised he was there, looking at the photograph! In fact, even now I know he's there, looking at my original photo, it's not clear.
So now I know to try to trust the process.
#DreamsOfAmarna #EgyptianMarginalia #Watercolours #TonalPainting
This painting was done during lockdown, using a very grainy photo of Flinders Petrie outside one of the empty tombs he lived in when excavating in Egypt, early in his association with the Egypt Exploration Society , and it taught me a lot.
Here you see the whole painting, using entirely earth colours and some salt effects. I chased tones all round the image, and then sat back...