Frank Wright Trio is the debut album by saxophonist Frank Wright. It was recorded in November 1965 in New York City, released by ESP-Disk in 1966.. On the album, Wright is joined by bassist Henry Grimes and drummer Tom Price

In an article for All About Jazz, Clifford Allen commented:

The opening 'The Earth' starts with a brief vibrato-heavy and bluesy slow theme on unaccompanied tenor that quickly erupts into a frantic screamer of a solo, a mix of buzzing upper-register cries and low bleating honks, occasional recognizable stock R&B phrases making their way into the melange... Unlike Ayler, there is not a significant amount of solo construction, for it appears Wright was throwing together ideas in a spirit of jubilation. The rhythm section is certainly strong and experienced, and are given ample duet room after Wright's solo ends."

https://www.youtube.com/watch?v=yfB5JApHKDg&list=RDyfB5JApHKDg&start_radio=1

#FrankWright #HenryGrimes #FreeJazz #Jazz #ESPDisk #Music #TenorSax

College Tour by Patty Waters, released on ESP-Disk in 1966.

"In the Spring of 1966, ESP was given a grant by the New York State Council on the Arts, to tour the five colleges in the state with music departments. Artists for this tour included the Sun Ra Arkestra, Burton Greene, Patty Waters, Giuseppi Logan and Ran Blake. Accompanied by an all star backup group from among the participants, Patty's performances resulted in the album, "College Tour", her second recording for ESP-Disk'. The album expands upon the vocal acrobatics that were heard on her first recording, "Sings". "College Tour" won second place for Vocal Recording in Jazz and Pop Magazine in 1970."

https://pattywaters.bandcamp.com/album/college-tour

https://www.youtube.com/watch?v=KdKdFaMXES8

#PattyWaters #ESPDisk #VocalJazz #FreeJazz #Music

Explosions is the second album by the Bob James Trio. It was recorded at Bell Sound Studios in New York City during May 1965, and was released later that year by ESP-Disk. On the album, James is featured on piano, and is joined by bassist Barre Phillips and drummer Robert Pozar. The album also features tape collages by composers Gordon Mumma and Robert Ashley. It is an early example of electro-acoustic jazz.

In a review for AllMusic, "Blue" Gene Tyranny called the album "probably the first recording of improvised jazz combined with electronic music, as well as playing inside the piano and other new music techniques," and noted that it "contains lively and often humorous compositions." - Wikipedia

https://www.youtube.com/watch?v=FG0bwZ5qoiA&list=RDFG0bwZ5qoiA&start_radio=1

#BobJames #ESPDisk #Jazz #FreeJazz #JazzPianoTrio #BarrePhillips #GordonMumma #RobertAshley #MUsic #ElectroAcousticJazz

Staying on the Watch is the debut album by jazz musician Sonny Simmons. It was released as ESP-1030 on the ESP-Disk label in 1966. The cover photograph is a mirror image displaying Simmons playing left handed against the NYC skyline.

A DownBeat reviewer called the album "a scorcher," and praised "City of David," stating: "John Hicks... pulls the music in a more John Coltrane-inspired direction... stoking a fire that makes bassist Teddy Smith and drummer Marvin Pattillo simply steam." - Wikipedia

https://www.youtube.com/watch?v=6F9a8Dth_vc&list=RD6F9a8Dth_vc&start_radio=1

#SonnySimmons #ESPDisk #Music #FreeDisk #JohnHicks

The Giuseppi Logan Quartet (1965)
#espdisk

https://youtube.com/watch?v=LoqTi9vOycE&si=_FPnef0gc5LmWCmh

The Giuseppi Logan Quartet is an album by American jazz saxophonist Giuseppi Logan, recorded at Bell Sound Studios in 1964 and released in 1965 on the ESP-Disk label. His first recording as leader, it features Logan on alto saxophone, tenor saxophone, Pakistani oboe, bass clarinet, and flute along with pianist Don Pullen, bassist Eddie Gómez, and drummer Milford Graves.,,,

Writing for The Wire, Pierre Crépon wrote that the album "is widely considered a free jazz classic, its use of odd meters and non-Western instrumentation preceding their common acceptance". - Wikipedia

https://www.youtube.com/watch?v=LoqTi9vOycE&list=RDLoqTi9vOycE&start_radio=1&t=13s

#GiuseppiLogan #DonPullen #EddieGómez #MilfordGraves #ESPDisk #FreeJazz #Jazz #Music

At Judson Hall is a live album by alto saxophonist Noah Howard. It was recorded at Judson Hall in New York City on October 19, 1966, and was released in 1968 by ESP-Disk. On the album, Howard is joined by trumpeter Ric Colbeck, cellist Catherine Norris, pianist Dave Burrell, bassist Norris Jones, and percussionist Robert Kapp.

The authors of The Penguin Guide to Jazz Recordings called the album "one of the iconic recordings of the period," and stated that Howard "plays with fire and attitude" on the tribute to John Coltrane.

The Guardian's John Fordham noted that the album "was explicitly connected to the Coltrane/Coleman lineage, but also exhibited the mixture of Ayler's anguished soulfulness and an unexpectedly tender folksiness that would be Howard's signature sound." - Wikipedia

https://www.youtube.com/watch?v=orllvlIZ0QE&list=RDorllvlIZ0QE&start_radio=1

#NoahHoward #DaveBurrell #FreeJazz #Jazz #Music #ESPDisk #FireMusic

Marzette Watts and Company, also known as Marzette and Company, is the debut album by saxophonist and composer Marzette Watts. It was recorded in December 1966 in New York City, and was released by ESP-Disk in 1968.

John Garratt, writing for PopMatters, stated: "Marzette Watts was caught in the very middle of the civil unrest of 1960s America.... Watts struggled to belong somewhere. The music of Marzette Watts & Company reflects this turmoil and the list of soon-to-be-famous names accompanying him on the album suggests that misery loved company... Half these musicians have passed on, but their 'Backdrop for Urban Revolution' continues to stay in motion, thanks to gut-punching artifacts like this one."

https://www.youtube.com/watch?v=SEz1tQIgS0M&list=RDSEz1tQIgS0M&start_radio=1

#MarzetteWatts #ByardLancaster #CliffordThornton #SonnySharrock #KarlBerger #HenryGrimes #FreeJazz #Jazz #ESPDisk #Music

The Forest and the Zoo is an album by Steve Lacy. It was released by ESP.

The music comes from a concert in Argentina.[2] The quartet is made up of Lacy on soprano saxophone, Enrico Rava on trumpet, Johnny Dyani on bass, and Louis Moholo on drums.

The Allmusic review by Thom Jurek awarded the album 3½ stars stating "This is not normally considered an essential part of Lacy's very large catalog, but in the 21st century it does deserve to be heartily and critically reexamined. The cover painting by the late artist Bob Thompson makes the set worth owning simply for its beauty. ".[2] An All About Jazz reviewer concluded: "Rather than the liberating spirituality sought after in so much free jazz Lacy's unit remains light-hearted and whimsical, even as it soars above the ground below."

https://www.youtube.com/watch?v=-kIFRYjTAfw&list=RD-kIFRYjTAfw&start_radio=1

#SteveLacy #EnricoRava #JohnnyDyani #LouisMoholo #Jazz #FreeJazz #Music #ESPDisk

We Move Together by The Sea Ensemble, released on ESP Disk in 1974.

NoFoodJustWax on RMM:

...exploratory, mysterious and playful improvisations from The Sea Ensemble—the husband/wife duo of Zusaan Fasteau and Donald Rafael Garrett. Although Donald is probably best known for playing bass with John Coltrane, Archie Shepp, and others, here he switches instruments every song, playing drums, shakuhachi flute, clarinet, and sheng on the first side, saving bass for the 20-minute B-side track. Zusaan is a multi-instrumentalist as well, playing piano, cello, drums, and shakuhachi. While they are both trained musicians, an uninhibited childish spirit permeates this release, as can be seen in Donald’s crude but visionary cover drawing, yet the recording also feels imbued with ancient wisdom, as heard in their primal and instinctive vocalizations throughout the album.

https://www.youtube.com/watch?v=TNVEPgo83us&list=RDTNVEPgo83us&start_radio=1

#TheSeaEnsemble #ESPDisk #Jazz #FreeJazz #Music #JohnColtrane #SpiritualJazz