‘Lets me believe in myself’: why Billy Elliot is my feelgood movie

The latest in our series of writers highlighting their most rewatched comfort films is a personal tribute to the inspirational British drama

The Guardian

Beast review – down-and-out MMA fighter film is predictable but still lands punches
By Luke Buckmaster

Directed by Tyler Atkins and co-written by Russell Crowe, this Australian feature follows a familiar playbook – but you’ll find yourself surprisingly invested

https://www.theguardian.com/film/2026/jun/01/beast-mma-fighter-film-review-tyler-atkins-russell-crowe

#Australianfilm #Film #Culture #Dramafilms #MMA #RussellCrowe #Australianews #LukeBuckmaster

Beast review – down-and-out MMA fighter film is predictable but still lands punches

Directed by Tyler Atkins and co-written by Russell Crowe, this Australian feature follows a familiar playbook – but you’ll find yourself surprisingly invested

The Guardian
Miss You, Love You review – Allison Janney anchors affecting old-school grief drama https://www.theguardian.com/film/2026/may/29/miss-you-love-you-movie-review #DramaFilms #Film #AllisonJanney #Culture #ComedyFilms #Comedy
Miss You, Love You review – Allison Janney anchors affecting old-school grief drama

A talky, performance-driven two-hander manages to find specificity and spark in what could have felt like an overly familiar throwback

The Guardian
Pressure review – Andrew Scott and Brendan Fraser can’t save lower-tier D-day drama

A behind-the-scenes second world war drama focused on the importance of weather is too stodgy and repetitive to work as anything but a so-so TV movie

The Guardian
Coward review – soldiers find escapism and romance in wartime theatrical troupe

Cannes film festival: Lukas Dhont’s first world war-set gay romance is a heartfelt examination of cowardice and lives lived in secret amid the brutality of battle

The Guardian
Sheep in the Box review – a bland, baffling tale of AI children from Hirokazu Kore-eda

There’s nothing wrong with film-makers leaving their comfort zone but the Japanese director’s latest effort just doesn’t work

The Guardian
Bitter Christmas review – grief, loss and artistic betrayal in Almodóvar’s film within a film

Cannes film festival: Spaniard’s latest life-v-art auto-metafiction feels slightly muddled as he directs a director directing a director

The Guardian
Minotaur review – Andrei Zvyagintsev’s scorching noir intrigue amid the Ukraine war

Cannes film festival: The great Russian director’s first film for almost a decade is tremendous drama following the ill-deeds of a mini-oligarch who comes up with a toxic new way to feed Russia’s war machine

The Guardian
Her Private Hell review – Nicolas Winding Refn’s shapeshifting fantasia is a dreamy swirl of strangeness

Refn’s film eludes definition as it moves through time and space, from doomy reality to strange dream worlds populated by quasi-Lynchian characters

The Guardian
Tycoon review – impressive debut shows dystopian future-LA in the grip of a food-distributing megacorp

Set against the 2028 Olympics, Charlotte Zhang’s beautifully attentive debut follows two Latino men as they game the system of state-sanctioned racial violence

The Guardian