Interesting podcast episode with Jane Alexander (CDIO at the Cleveland Museum of Art) on how museums can integrate AI, computer vision, open data, and AR to deepen engagement with art while staying rooted in mission and accessibility.
From Gallery One to open access APIs and AI-powered visual descriptions, CMA shows how digital infrastructure can expand access without overshadowing the artworks.
#AIinMuseums #DigitalArtHistory #OpenAccess
https://podcasts.apple.com/de/podcast/odscs-ai-x-podcast/id1721516836?i=1000747393429
Integrating AI, AR, and Open Access at the Cleveland Museum of Art with Jane Alexander

Podcast-Folge · ODSC's Ai X Podcast · 29. Januar · 38 Min.

Apple Podcasts
The Cleveland Museum of Art shows how AI can be integrated thoughtfully into museums: grounded in strong data infrastructure, open collections, and experiences that deepen engagement with artworks rather than overshadow them.
A decade of experimentation—from Gallery One to AI-generated visual descriptions for accessibility—demonstrates that AI in museums works best when it starts from visitor needs, not from technology hype.
https://nationaltoday.com/us/oh/cleveland/news/2026/03/08/cleveland-museum-of-art-leads-the-way-in-thoughtful-ai-integration/
#MuseumsDigital #AIinMuseums #DigitalArtHistory
Cleveland Museum of Art Leads the Way in Thoughtful AI Integration - Cleveland Today

The Cleveland Museum of Art (CMA) has quietly become a global leader in applying AI, computer vision, and data infrastructure to enhance visitor experience, accessibility, and discovery over the past decade. Unlike many museums that experiment with AI as novelty, CMA has taken a thoughtful, production-focused approach, ensuring that every AI-enabled experience helps visitors engage with the art in a meaningful way. This includes building robust data infrastructure, embracing open access to the collection, and designing playful, embodied interactions that lead visitors back to the original artworks.

National Today
Still worth a read: Art History and AI: Ten Axioms The article reflects on how AI can be used responsibly in art historical research and proposes ten guiding principles for integrating machine learning into the discipline. dahj.org/article/art-... #DigitalArtHistory #ArtHistory #DigitalHumanities

Art History and AI: Ten Axioms...
Art History and AI: Ten Axioms — DAHJ

The promise of AI is great, but so are the ethical and intellectual issues it raises.

DAHJ
Still worth a read: Art History and AI: Ten Axioms by Sonja Drimmer and Christopher J. Nygren. The article reflects on how AI can be used responsibly in art historical research and proposes ten guiding principles for integrating machine learning into the discipline.
https://dahj.org/article/art-history-and-ai
#DigitalArtHistory #AIinHumanities #ArtHistory #digitalhumanities
Art History and AI: Ten Axioms — DAHJ

The promise of AI is great, but so are the ethical and intellectual issues it raises.

DAHJ
SMK Data Visualized ist ein beeindruckendes Beispiel dafür, wie Museumsdaten über eine offene API nicht nur zugänglich, sondern analytisch und visuell interpretierbar werden.
Das Projekt zeigt, was möglich wird, wenn kulturelles Erbe als strukturierte, maschinenlesbare Infrastruktur gedacht wird
#dhd2026 #digitalhumanities #DigitalArtHistory
➡️ https://smk.nordquist.co/

Objects and Order demonstrates how digital collections can be organized today: structured, citable, API-enabled, and built with integrated exhibition logic. Instead of isolated databases or static websites, it offers a flexible infrastructure for archives, museums, and researchers. Particularly compelling is the combination of scholarly features, analytics, and reusability.
#DigitalHumanities #MuseumsDigital #OpenInfrastructure #DigitalArtHistory

➡️ https://objectsandorder.com/articles/a-digital-organization-system-for-creators-collectors-and-scholars

Finally: artresearch.net brings together the PHAROS photo archives in a free, open-access discovery platform—offering millions of artworks, photographs, and art historical records, interoperable via Linked Open Data and IIIF. A major step forward for connected, comparative digital art history.
#DigitalArtHistory #OpenAccess #LinkedOpenData
➡️ https://artresearch.net/resource/:start
The Bibliotheca Hertziana in Rome is hiring a Digital Humanities Scientist to advance Digital Art History, machine learning, and AI-based infrastructures within its DH Lab (application deadline: April 30, 2026).
They are not just looking for tool builders, but research architects who can sustainably integrate cultural heritage, multimodal models, and institutional infrastructure.
#DigitalHumanities #DigitalArtHistory #AIinResearch
https://www.biblhertz.it/en/opportunities/digital-humanities-scientist
Digital Humanities Scientist

Die Bibliotheca Hertziana in Rom sucht eine*n Digital Humanities Scientist zur Weiterentwicklung von Digital Art History, Machine Learning und AI-basierten Infrastrukturen im DH Lab (Bewerbung bis 30.04.2026).
Gefragt sind nicht nur Tool-Builder, sondern Forschungsarchitekt*innen, die kulturelles Erbe, multimodale Modelle und institutionelle Infrastruktur langfristig integrieren.
#DigitalHumanities #DigitalArtHistory #AIinResearch
https://www.biblhertz.it/en/opportunities/digital-humanities-scientist
Digital Humanities Scientist

Paris–Rome Fellowship 2026/27:
INHA und Bibliotheca Hertziana vergeben ein transnationales Stipendium für Doktorand*innen und Postdocs im Bereich Digital Art History.
Gefördert werden innovative Projekte, die die digitalen Ressourcen beider Institutionen verbinden (3–6 Monate, ca. €2.000–2.500/Monat). Bewerbungsschluss: 15.03.2026.

https://arthist.net/archive/51712

#DigitalArtHistory #Fellowship #DigitalHumanities

Paris-Rome Fellowship, Digital Art History, 2026/27

Mara Freiberg Simmen. The Institut national d’histoire de l’art (INHA) and the Bibliotheca Hertziana – Max Planck Institute for Art History (BHMPI), Application deadline: Mar 15, 2026