#photography Canon launched its Authenticity Imaging System this week — C2PA-based provenance built into the R5 Mark II and R1. The technology is real and the engineering is solid. The implementation is not. It requires paid activation, it's restricted to news organizations, and it launches only in EMEA. I'm grateful Canon is here. I'm disappointed in how they showed up. Full breakdown on the blog. robertjbell.com/blog/canon-s-c2pa-launch-is-real-progress-8779730 #C2PA #CommercialPhotography
#photography Canon launched its Authenticity Imaging System this week — C2PA-based provenance built into the R5 Mark II and R1. The technology is real and the engineering is solid. The implementation is not. Paid activation required. News organizations only. EMEA launch only. I'm grateful Canon is here. I'm disappointed in how they showed up. Full breakdown on the blog. robertjbell.com/blog/canon-s-c2pa-launch-is-real-progress-8779730 #C2PA #CommercialPhotography
A Commercial Photographer's Take on When to Use AI (and When Not To)

The tools available to photographers and demands from clients are changing fast. Here’s what’s actually working... and what isn’t.

PetaPixel
Photographers Raise Concerns as AI Use Surges Among Clients

It's affecting photographers at the top and bottom.

PetaPixel
#photography IPA 2026 regular deadline is April 30. If you have architectural work — exterior, interior, industrial, bridges, aerial — that you've been sitting on, this is the window. $10,000 top professional prize, Lucie Awards Gala in New York, global exhibition. photoawards.com #ArchitecturalPhotography #CommercialPhotography
#photography Quick flag: the Florida Museum of Photographic Arts (FMoPA) 2026 International Photography Competition closes April 22 — nine days out. Open internationally across a wide range of genres including architecture, portrait, landscape, and documentary. €10 entry fee. One of the more accessible museum-affiliated competitions running right now. fmopa.org #Photography #CommercialPhotography
#photography Something worth saying plainly: clients who hire architectural photographers often think they're documenting what a building looks like. What they're actually doing is building the case for why the space succeeds — how scale reads, how light moves through it, how materials hold up under scrutiny, how the sequence of spaces tells a story. The photograph isn't the record. It's the argument. #ArchitecturalPhotography #CommercialPhotography
#photography The Canon vs Sony shutter argument has been running for a couple of years now — and it's still worth having. Global shutter eliminates rolling shutter entirely. Canon's multi-mode approach preserves image quality. Neither is universally right. I wrote up the full technical breakdown, with real-world test citations, on the blog. robertjbell.com/blog/canon-vs-sony-the-shutter-wars-2245526 #CameraGear #CommercialPhotography
#photography clients: "we'll know it when we see it" is a brief that hasn't been written yet. In commercial photography, that phrase at the start of a project almost always becomes scope creep, reshoot requests, and disappointment at delivery. The fix isn't a bigger budget. It's a conversation about intended use before a camera comes out. #CommercialPhotography #AEC