SpiritWorld – Helldorado Review

By Dear Hollow

SpiritWorld’s lone appearance ’round these here parts, like any good vigilante, is an entry in the 2022 AOTY list of then-n00b, now gone-but-never-unforgotten ItchyMenace for sophomore album Deathwestern. But guess what? There’s a new sheriff in town, and he’s mad as hell. So mad, he’ll riff you at sundown in front of the town hall at high noon, so say “yeehaw” and “howdy, pardner,” because that piano’s gon’ stop at the saloon because there’s a fire at the watering hole.1 Out in the desert, there’s a snake with your boot’s name on it and a bullet with your name on it too. So tread lightly, cuz there’s a big black train named SpiritWorld heading straight for your ass – to take you to Helldorado.

All Wild West stereotypes and John Wayne-isms aside, Vegas natives SpiritWorld have been going with the “deathwestern” trope for three albums now. Hardcore punk, thrash, death metal, and country have a hand on their revolver in this five-man shootout, sometimes all at once in an O.K. Corral massacre, sometimes in doses like a hefty shot of laudanum afterwards. Helldorado riffs first and foremost, with kickass and cutthroat Slayer shreds and D.R.I.-inspired hardcore attitude kicking in the saloon door with a steel-toed boot, while a spittoon of experimentalisms are like gooey tobacco made of black metal and jazz. Ultimately, in spite of consistency issues and one-note beatdowns, thanks to SpiritWorld’s utterly batshit ideas and straightforward viciousness, Helldorado is one mighty hell of a good time.

What keeps me coming back to Helldorado is the riffs, SpiritWorld completely surging with adrenaline. Crossover thrash a la D.R.I. gets the riffs going, with heftily constructed beatdowns of speedy Slayer leads (“No Vacancy in Heaven,” “Western Stars & the Apocalypse,” “Waiting on the Reaper”), while more western-themed mid-tempo jaunts laced with gang vocals and meaty breakdowns bring the anvil of brainless mayhem (“Abilene Grime,” “Stigmata Scars”). Compared to its predecessor, Helldorado’s guitar tone is much more nimble, allowing it a cutthroat viciousness and weighted beatdown in equal measure. Vocalist Stu Folsom somehow injects a cowboy accent into his blend of Henry Rollins yells and James Hetfield sneers, always annunciating the lyrics for hardcore callouts.2 Bluesy country-western scales are built into every moment, manifesting in delicious leads, technical shreds, all alongside wailing heavy metal solos that seem to hit at just the right moments – culminating into something that feels a tad like a crossover Pantera. It’s a kick to the groin, and you’ll love every bit of it.

While the previous outing Deathwestern grew old with its overreliance on the chuggy riff, Helldorado changes things up considerably. While the majority of the album only features wild west-sounding melodies, some tracks throw off this structure like a rattlesnake in the boot – it serves to break the monotony of SpiritWorld’s omni-riffage. You’ll first notice the softer country twang that pervades some of the album’s midsection, but its experimental vibes draws comparisons to Kirin J. Callinan’s “Big Enough” (yes, the screaming cowboy song),3 – “Bird Song of Death” and closer “Annihilism” feature rough thrash vocals atop Jason Aldean-esque plucking in an odd concoction, while the whispery vocals and sidewinding sax solo in “Prayer Lips” are sure to turn some heads. “Oblivion” is a curious track, as its ridiculously chunky riffage builds up to a feature of Blackbraid’s Sgah’gahsowáh shrieking atop a thrash riff, later followed up by a punky solo by Rise Against’s Zach Blair. Kreator/Sinsaenum guitarist Frédéric Leclercq contributes a rip-roaring solo to “Stigmata Scars.”

Helldorado is just fun as hell. SpiritWorld’s riffage is front-and-center, but you’ll also be singin’ these songs into the moonlight with a clunky guitar and a cup o’ cowboy coffee, pardner.4 With hell-raisin vocals, kickass riffs, and just enough experimental elements to keep you guessing (or scratching your head), it blows its predecessors out of the watering hole. Sure, in spite of the frivolities, SpiritWorld remains a one-trick pony – but Helldorado ensures they can ride that pony into the sunset.

Rating: 3.0/5.0
DR: 4 | Format Reviewed: 320 kb/s mp3
Label: Century Media Records
Websites: spiritworldprophet.bandcamp.com | spiritworldprophet.com
Releases Worldwide: March 21st, 2025

#2025 #30 #AmericanMetal #BlackFlag #Blackbraid #CenturyMediaRecords #ColdChisel #DRI_ #GrooveMetal #Hardcore #HeavyMetal #Helldorado #JasonAldean #KirinJCallahan #Kreator #Mar25 #Metallica #Pantera #Review #Reviews #RiseAgainst #Sinsaenum #Slayer #SpiritWorld #ThrashMetal

SpiritWorld - Helldorado Review | Angry Metal Guy

A review of Helldorado by SpiritWorld, available March 21st worldwide via Century Media Records.

Angry Metal Guy
#coldchisel Last night's Cold Chisel concert in Adelaide was a testament to how good the band was, and still is
Barnsey's voice is croakier, missing the high notes, but the sheer power of pushing out those lyrics. Ian Moss's playing (and singing) was almost note perfect replay of the 40 year old songs
2.5 hours of thunderous music, some of which (Flame trees, Khe Sanh) have become immortal anthems of Australia's generations as they absorb the sentiments
Choir Girl interested me. 40 years ago the line "crying like a refugee" raised an image of Cambodian or Vietnamese recent arrivals. 40 years later they are no longer refugees but part of the established Australian voice. The refugees are now from elsewhere
Altogether, a banging night
How am I supposed to find my middle aged white people in this sea of middle aged white people?? #ColdChisel

Flame Trees (Cold Chisel cover) - Sarah McLeod

https://www.youtube.com/watch?v=Z6tsz3KGDFU

#sarahmcleod #coldchisel

Flame Trees (Cold Chisel cover) - Sarah McLeod

YouTube
Sarah Blasko - Flame Trees (Live at Oceanic Studio)

YouTube
COLD CHISEL: On The Outside Looking In, tonight on AUSTRALIAN STORY

Australian Story looks back at Cold Chisel's colourful history and examines why they have become such an essential part of our cultural history.

TV Blackbox

Another true classic. #ColdChisel and Paul “Cundalini” Johnstone (RIP) fresh from having his hand ripped of in #MadMax - Sadly the audio in this clip is a bit faded in parts.
#TheBig50Anniversarytour
#ForeverNow

https://youtu.be/Hhnp3td-UHU?si=GyEX4ASm4Ss8iSo5

Cold Chisel - Forever Now [Official Video]

YouTube
Cold Chisel - Saturday Night [Official Video]

YouTube

Standing on the Outside, I'm Stranded

Radio NO, Who ya gonna listen to now ? Credit: musicians I've appropriated your titles #satire #auspol #VoteYES23Australia #radio #3aw #fake #ColdChisel #TheSaints #PaulKelly #MissyHiggins #JohnButler #BernardFanning #BakerBoy #JoeDolce