Holding the Light
Pakhuis de Zwijger, Monday, June 15 at 08:00 PM GMT+2
Dreaming despite darkness: exploring life through pressure & uncertainty.What kind of images survive in times of darkness? What does it mean to keep dreaming when exhaustion becomes part of everyday life? This programme brings together five Iranian short films that explore life in moments of pressure, uncertainty and fragile connection. The films move through spaces shaped by fear, distance, intimacy and tenderness, showing how political realities are felt in everyday gestures, silences and relationships. Borrowing its title from Home Work: Holding the Light, the programme understands light not as a simple symbol of hope or rescue, but as something people pass to one another. It appears in small moments: a face briefly visible in the dark, a voice reaching across distance, a gesture that keeps someone from disappearing. Across the five films, dreaming is not an escape from reality. It becomes a way of staying human within it. Moving between memory and the present, darkness and illumination, these films look not for heroes, but for the quiet ways people support one another through difficult times.
Filmmakers: Sahand Sarhaddi Majid Fakhrian Ali Jamshidi Film Critic Amin Pakparvar Mehraneh Salimian Mahyar Mandegar Parsa AnsariHomework: Holding the Light | Writer & Director: Majid Fakhrian
In a night class in a palm grove, the students, with the help of their teacher, experiment with different types of light and observing objects. Meanwhile, a blind child is searching for a classmate whose name is unfamiliar to all the students.
Memories of a Window | Writers and Directors: Mehraneh Salimian and Amin Pakparvar
Following crackdowns on protests in Iran, civilians begin documenting the unrest from behind windows. When a woman is shot while recording, a film student writes her a letter raising the question: Can revolution emerge from behind windows?
Slaughter | Writer & Director: Sahand Sarhaddi
“Besmel/Slaughter” is an experimental short film that delves into the archival and historical footage of the Iranian Revolution in 1979, depicting a symbolic narrative surrounding the ritualistic act of animal sacrifice, known as “Besmel”. It serves as an allegorical representation of a nation’s sacrifice amidst the backdrop of political transformations.
Taha | Writer and Director: Mahyar Mandegar
In a rundown Iranian circus in Los Angeles, 70-year-old groundskeeper decides to participate in the show in order to see what the trapeze dancer sees every night, up in the sky.
The Villain- Director: Parsa Ansari / Writers: Mobarakeh Mortazavi, Parsa Ansari
An aging man who plays the villain in an Iranian Passion Play is haunted by memories of his past and the woman he wronged many years ago.








