Embrace the serenity of "Landscape, The Palace of the Clouds" at #ClevelandMuseumofArt. This exquisite handscroll reveals the beauty of nature intertwined with human ingenuity. How does this tranquility resonate with your own connection to the environment?
#ClevelandArt #ChineseLandscape #ArtAppreciation
https://clevelandart.org/art/1915.616
Amidst the serene embrace of nature, Gakuō’s “Chinese Servant Walking in the Rain” captivates with its minimalistic brushwork and tranquil atmosphere. How does this piece resonate with your perception of harmony in art?
#ClevelandArt #Gakuō #ChineseLandscape #ArtAppreciation
https://clevelandart.org/art/2015.512
A serene moment captured in "Landscape with Fishermen" invites you to drift away into nature's tranquility. The interplay of rain and light conjures a sense of intimacy and calm. What emotions does this peaceful scene evoke for you?
#ClevelandArt #ArtInspiration #ChineseLandscape
https://clevelandart.org/art/2015.516
Experience the serenity of Tao Hong's "Clouds Visiting a Mountain Retreat," a masterful ink painting capturing the essence of nature and solitude. How does this artwork make you feel about your own relationship with nature?
#ClevelandArt #TaoHong #ChineseLandscape #ArtAppreciation
https://clevelandart.org/art/1971.19
Little is known about Tao Hong who settled in Nanking in the latter part of his life. His son was a friend of the <br>leading Nanjing school artist Gong Xian (on display nearby). When the Ming dynasty collapsed in 1644, Tao joined the loyalist resistance in Yunnan province. By 1645 the Manchu invaders had defeated the Yunnanese forces, prompting Tao to flee to Burma, where he died shortly thereafter. Only five of Tao Hong’s works are known to exist, of which this painting is the largest.
A serene tapestry of the Eight Views of the Xiao and Xiang Rivers unfolds in this exquisite piece. The misty mountains and tranquil rivers embody the harmony of nature. What emotions does this landscape evoke for you?
#ClevelandArt #ChineseLandscape #ArtAppreciation
https://clevelandart.org/art/2015.470
This composition includes imagery from the Eight Views of the Xiao and Xiang Rivers. Scanning the composition from top to bottom, at least six of the views are discernible: night rain over Xiao and Xiang, evening bell from a mist-shrouded temple, returning sails off a distant shore, geese descending to a sandbar, mountain village in clearing mist, and sunset glow over a fishing village. Inside the painting’s box is a document with a long inscription by prominent calligrapher, collector, and connoisseur Maeda Kōsetsu (1841–1916) discussing the painting’s subject and the matter of the painter’s biography—he appears to have been a Kano school artist, but his precise identity is unclear.
Clad in a straw rain poncho and wide-brimmed hat, a fisherman is seated in a small boat. Reeds sparkle on the far shoreline among dark, black rock forms that appear to float above the water. On the near shoreline are a pair of pines, a grove of bamboo or water reeds, and two withered deciduous trees from which moss hangs. This landscape painting, which emphasizes an intimate solitary moment through evoking various atmospheric elements—rain, evening light, and frosty air—was one of the main subjects of mid- and late 16th-century landscape paintings.
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