Dear good #typography buffs,
what can be said about this printing - in addition to its being a #serif typeface?
From the difference between thick and thin lines, we would say transitional or Didone, rather than old-style (https://en.wikipedia.org/wiki/Serif), but we do not seem to get much further than that ...
Any hints will be helpful.
Congratulations to Dennis, who is also part of the wonderful Henze Digital project https://henze-digital.zenmem.de (which, among other things, edits the #WHAuden #ChesterKallman #HansWernerHenze correspondence)!
We hope our paths will cross again.
https://fedihum.org/@AMP_OeAW/111028747087113623
👏 👏 👏
This is a shout-out to @diepressecom for supporting our archival research!
Complaint by #ChesterKallman from 20 Mar 1965 after performance of #TheRakesProgress at #ViennaStateOpera produced by #OttoSchenk ⬇️
Looking forward to Queer Data Days - Wikidata Gender Diversity Project Event @ucldis. 🏳️🌈
In their Austrian period, #WHAuden & #ChesterKallman closely collaborated w/ composer Hans Werner #Henze. ✍️ 🎵
After first meeting at @ide #wsde22 in Mar 2022, @AMP_OeAW and #HenzeDigital now rejoin at @TEIConsortium @teimec2023 to intensity their collaboration.
#AustrianAuden @riedde #UniversitätPaderborn @ACDHCH_OeAW @fwf @dfg_public
Right before the @[email protected] I can proudly announce that the first edition at Henze-Digital (correspondence Henze-Enzensberger) is online now! Check out and meet the team at @[email protected] in Paderborn in the next days! https://henze-digital.zenmem.de/de/Index
Auden in Austria Digital
Auden Musulin Papers
Dimitra Grigoriou