La Stampa - News, inchieste e approfondimenti La Stampa: Sul set di "Fino all'ultimo respiro", per riscoprire il mito di un cinema libero e rivoluzionario

Questa è la storia di Godard nel momento in cui gira “Fino all’ultimo respiro”, raccontata nello stile e nello spirito con cui Godard ha realizzato “Fino all’ultimo respiro”. Siamo a Parigi, tra il 1959 e il 1960. Truffaut e Chabrol (Adrien Rouyard e Antoine Besson) hanno già mosso i primi passi dietro la macchina da presa. Godard (Guillaume Marbeck) è pronto a girare il suo primo lungometraggio. Rivette e Rohmer (Jonas Marmy e Côme Thieulin) sono agli esordi. Intorno a loro, un fermento culturale unico, nutrito dalle opere di Jean Cocteau (Jean-Jacques Le Vessier), Robert Bresson, Roberto Rossellini (Laurent Mothe) e Jean-Pierre Melville. Girato con lo stesso spirito libero, audace e sperimentale che animava quei giorni, il film non si limita a ricostruire la genesi di “À bout de souffle”, ma la vive e la reinventa.

Il secondo film di questa settimana è “Moulin  Rouge” di Buz Luhrmnann. Nella Parigi nel 1899, Christian (Ewan McGregor) è un giovane scrittore inglese in cerca di ispirazione che ha appena trovato casa nel quartiere bohémien di Pigalle.Grazie a un incontro imprevisto, il ragazzo è introdotto nell’ambiente teatrale del Moulin Rouge, celebre locale notturno del quartiere. Sperando di persuadere l’impresario Zidler (Jim Broadbent) a mettere in scena un nuovo show, gli attori decidono di presentare il talentuoso nuovo arrivato all’étoile del locale, Satine, meravigliosa, desiderata da tutti e purtroppo malata. Christian e Satine si innamorano, ma la loro strada è segnata.

On the set of “Until the Last Breath,” to rediscover the myth of a free and revolutionary cinema.

This is the story of Godard at the moment he’s shooting “Breathless,” told in the style and spirit with which Godard made “Breathless.” We’re in Paris, between 1959 and 1960. Truffaut and Chabrol (Adrien Rouyard and Antoine Besson) have already taken their first steps behind the camera. Godard (Guillaume Marbeck) is ready to shoot his first feature film. Rivette and Rohmer (Jonas Marmy and Côme Thieulin) are just starting out. Around them, a unique cultural ferment, nourished by the works of Jean Cocteau (Jean-Jacques Le Vessier), Robert Bresson, Roberto Rossellini (Laurent Mothe) and Jean-Pierre Melville. Shot with the same free, audacious and experimental spirit that animated those days, the film doesn’t just reconstruct the genesis of “Breathless,” but lives it and reinvents it.

The second film of this week is “Moulin Rouge” by Buz Luhrmnann. In Paris in 1899, Christian (Ewan McGregor) is a young English writer searching for inspiration who has just found a home in the bohemian Pigalle neighborhood. Thanks to an unexpected encounter, the boy is introduced to the theatrical environment of the Moulin Rouge, a famous nightspot in the neighborhood. Hoping to persuade the impresario Zidler (Jim Broadbent) to stage a new show, the actors decide to present the talented new arrival to the star of the venue, Satine, a marvelous, desired woman, and unfortunately ill. Christian and Satine fall in love, but their path is marked.

#Godard #Paris #Truffaut #Chabrol #AdrienRouyard #AntoineBesson #first #GuillaumeMarbeck #Rivette #Rohmer #JonasMarmy #CômeThieulin #JeanCocteau #RobertBresson #RobertoRossellini #LaurentMothe #Jean-PierreMelville #second #MoulinRouge #BuzLuhrmnann #Christian #EwanMcGregor #English #Pigalle #theMoulinRouge #Zidler #JimBroadbent #Satine

https://www.lastampa.it/rubriche/cinesettimana/2026/03/13/video/sul_set_di_fino_allultimo_respiro_per_riscoprire_il_mito_di_un_cinema_libero_e_rivoluzionario-15543154/

Sul set di "Fino all'ultimo respiro", per riscoprire il mito di un cinema libero e rivoluzionario

Questa è la storia di Godard nel momento in cui gira “Fino all’ultimo respiro”, raccontata nello stile e nello spirito con cui Godard …

La Stampa

« La Femme infidèle » est diffusé ce soir sur Arte et est à voir en replay. Craquelant les faux-semblants des bourgeois interprétés par Michel Bouquet et Stéphane Audran, Claude Chabrol, en entomologiste, déchaîne une passion folle et sauvage qui troublera définitivement la paix du ménage : étude de la mise en scène d'une Nature non-domestiquée.

https://www.rayonvertcinema.org/femme-infidele-claude-chabrol/

#claudechabrol #chabrol #lafemmeinfidele #stephaneaudran #michelbouquet

« La Femme infidèle » : Entomologie et bourgeoisie

Sous l'oeil de l'entomologiste perçant une carapace bourgeoise, étude des éléments de nature présents dans « La Femme infidèle ».

Le Rayon Vert
Version française or English version Choisissez votre préférée // Pick up your favorite #nouvellevague #book #edition #godard #truffaut #chabrol #varda #demy #melville #coutard #livre #cinema
NOUVELLE VAGUE - Officiële NL trailer

YouTube

L'été cinéphile était chabrolien en France avec la ressortie de nombreux films du cinéaste. Quatre films et autant de preuves que la prodigalité n'est jamais allée sans impasse ni errements. Ce qui n'inquiète pas est malhonnête. L'honnêteté chabrolienne tient dans une inquiétude persistante, la persévérance d'un inconfort jamais séparé de la joie à faire en donnant à penser, dans le réussi comme le raté.

https://www.rayonvertcinema.org/claude-chabrol-quatre-films-analyse/

#claudechabrol #chabrol

Morale de l'honnête homme : Sur quatre films de Claude Chabrol | Le Rayon Vert

À travers quatre films (dont Les Biches), on perçoit l'honnêteté chabrolienne qui tient dans une inquiétude persistante.

Le Rayon Vert
What if Tom Ripley settled down, lost his edge, and started breeding snails in a passive-aggressive cold war with his alcoholic wife? That’s Deep Water.
#DeepWater #BenAffleck #AnaDeArmas #AdrianLyne #PatriciaHighsmith #EroticThriller #NeoNoir #Chabrol #PeterGreenaway #SnailSexSymbolism #FilmCritique #CinephileTrashHeaven
https://ninetypercentcrapmoviereviews.wordpress.com/2022/11/10/deep-water/
Deep Water (2022)

Jealousy is such a living hell that Claude Chabrol made arguably the definitive film on the subject and literally called it L’Enfer. This is a realm that Deep Water (2020) director Adrian Lyne know…

90% of Everything is Crap

Sortir de la toile... Est-ce possible ?

13 mars 2025, 18:30:00 CET - GMT+1 - Café-Lecture Les Augustes, 63000, Clermont-Ferrand, France

https://mobilizon.picasoft.net/events/9ae8e344-4065-41a9-80d0-8a29bebd5534

Sortir de la toile... Est-ce possible ?

13 mars 2025, 18:30:00 - GMT+1 - Café-Lecture Les Augustes, 63000, Clermont-Ferrand, France - Ce n'est pas à La Perm, on n'organise pas, mais cela peut vous intéresser vu l'ambiance actuelle sur le net et dans le Monde : https://mobilizon.fr/events/29ff6953-bfce-41b7-92a1-dec800342a2f donc on…

Δεν μπορείς να τα έχεις όλα. Πού θα τα έβαζες;

Claude
#Chabrol
Γάλλος σκηνοθέτης της nouvelle vague (1930-2010)

#πλεονεξία
MOVIE QUOTE OF THE DAY:
“They're pathetic. What do they know? They've got it all. Their biggest worry is what color car to buy. Or which cousin stole half the inheritance. I'd be happy with a tenth of what they have. I'd have the life I wanted, instead of just the opposite.”
Isabelle Huppert in La Ceremonie
#laCeremonie #Chabrol #ClaudeChabrol #IsabelleHuppert
#moviequotes
#MovieQuoteOfTheDay