Nephilim

The Nephilim are mysterious beings or humans mentioned in the Bible. Traditionally understood as beings of great size & strength, or alternatively as beings of great power & authority.

The 1st biblical reference to them happens in Genesis 6:4. According to Numbers 13:33, 10 of the 12 spies reported the existence of Nephilim in Canaan before its conquest by the Israelites.

Interpretations vary vastly across traditions. Second Temple texts like 1st Enoch & Jubilees picture the Nephilim as offspring of fallen angels (Watchers) & of human women, portraying them as evil giants whose corruption led to the flood that’s told in the book of Genesis.

Some viewed the Nephilim as the descendants of Seth intermarrying with Cain’s lineage. Just to put this into perspective, Seth & Cain are biological brothers (half or whole, depending on the story). Their descendants married each other. It would be like marrying your cousins. Not 1st or 2nd cousins. But cousins nonetheless.

While others support the fallen angel theory. This was later supported by the Dead Sea Scrolls. Islamic tradition links them to the giant tribe of ‘Ad. While other theories link them with the Sumerian Apkallu myths or elite Canaanite warriors.

Over time, the Nephilim have been reimagined in popular culture: they appear in novels, films, video games, & conspiracy theories unrelated to religion. They are often pictured as powerful hybrids, ancient gods, or remnants of a lost superhuman race. Or the race of giants that Goliath descended from.

In the Bible, 3 interconnected passages refer to the Nephilim. 2 of them are in the Torah (Old Testament). The 1st appearance in Genesis 6:1-4. This is immediately before the Noah’s Ark story. Genesis 6:4 says: The Nephilim were in the earth in those days, & also after that when the sons of God came in unto the daughters of men & they bore children to them; the same were the mighty men that were of old, the men of renown.

A few things hit differently in this passage:

• Heavenly beings can have biological human children? How is this physically possible? If, after all, they’re spiritual beings?
• Why would God give/allow these “angels” the ability to even have kids in the 1st place? In modern times, we don’t think of angels as having the ability to have kids. Even the fallen ones. We do tend to think that Satan himself is the only 1 that can somehow have kids (the Antichrist).
• Who, exactly, were these “men of renown”? Like we, personally, just want 2-3 of the names. Is it some guys we’ve never even heard of? Or would it confirm some names we already know? Like yep, our fav demigod Hercules made the short list. But some decisions happened on the editing room floor. Sorry Herc!

“Those days” were a period when the human population on the earth had started to really take off. This was when people began “to be plentiful on the Earth.”

The 2nd is Numbers 13:32-33, where 10 of the 12 spies describe the Anakites (a Rephaite tribe) as descendants of the Nephilim. Outside the Pentateuch, there are 1 more passage indirectly referencing nephilim & this is Ezekiel 32:17-32.

The earliest translation of the Bible (the Septuagint), which was composed in the 3rd or 2nd century BC, gives the said word as gigantes. In Greek mythology, the gigantes were beings of great strength & aggression. But not necessarily of great size.

The Vulgate (compiled in the 4th or 5th century AD) transcribes the Greek term rather than translating the Hebrew nefilim. From there, the tradition of the giant progeny of the sons of God & the daughters of men spread to later medieval translations of the Bible.

From the 3rd century onwards, references are found in Enochic literature, the Dead Sea Scrolls, the Jubilees, the Testament of Reuben, 2 Baruch, Josephus, & the Book of Jude.

The New American Bible commentary draws parallels between the Epistle of Jude & the statements in Genesis. This suggests that Jude refers implicitly to the paternity of the Nephilim as heavenly beings who came to earth & had spicy adult time with human women.

The story of the Nephilim is elaborated in the Book of Enoch. The Greek, Aramaic, & main Ge’ez manuscripts of 1 Enoch & Jubilees acquired in the 19th century (held in the British Museum & the Vatican Library) connect the origin of the Nephilim with the fallen angels, & in particular with the egregoroi (watchers).

In this tradition, the kids of the Nephilim are called the Elioud. They’re considered a separate race from the Nephilim. But they end up sharing the same fate as the Nephilim.

Some believe the fallen angels who sired the Nephilim were cast into Tartarus (II Peter 2:4, Jude 1:6), a place of “total darkness.” An interpretation is that God granted 10% of the disembodied spirits of the Nephilim to remain after Noah’s deluge, as demons, to try to lead the human race astray until the Final Judgment.

The Book of Jubilees also says that ridding the Earth of these pesky Nephilim was 1 of God’s purposes for flooding the Earth in Noah’s day. It describes the Nephilim as being evil giants.

A long-held view in some Christian sects is that the “sons of God” were the formerly righteous descendants of Seth (Adam & Eve’s 3rd kid) who rebelled. While the “daughters of men” were the unrighteous descendants of Cain. The Nephilim were their offspring. This view dates to at least the 1st century AD in Jewish literature. It was found in Christian sources from the 3rd century.

Some individuals & groups (including St. Augustine, John Chrysostom, & John Calvin) take the view of Genesis 6:2 that the “angels” who fathered the Nephilim referred to certain human males from Seth’s lineage. They were called sons of God in reference to their prior covenant with Yahweh (Deut. 14:1, 32:5). In these sources, these men had begun to pursue bodily interests, & so took wives of “the daughters of men.”

This view is also held by the Ethiopian Orthodox Church. This is supported by their own Ge’ez manuscripts & Amharic translation of the Haile Selassie Bible (1 Enoch & Jubilees also), which count as canonical by this church. The “Sons of Seth” view is the view presented in a few extra-biblical, yet ancient texts.

In these sources, these kids of Seth were said to have disobeyed God by breeding with the Cainites & producing wicked kids “who were all unlike.” This angered God into bringing about our boy Noah’s flood.

If you subscribe to the ancient alien theory, then you’ll be familiar with Zacharia Sitchin. In his The Earth Chronicles series, Mr. Sitchin makes the claim that the Nephilim were an extraterrestrial race called the Anunnaki. The Anunnaki came down from the 12th Planet (Nibiru) & mated with (or at least genetically messed with) human women. They also gave humanity a few things: civilization, makeup, weapons, warfare, & farming. (Our founder is currently reading The 12th Planet right now, as of the date this posts. They are about done with it, like 2 more chapters!)

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Stuck in the Filter: June 2024’s Angry Misses

By Kenstrosity

Managing this Filter is a full-time job. Or it would be if I paid anyone, or got paid myself. I doubt anyone in this godforsaken facility has seen a greenback in the last two decades.1 Nonetheless, I grabbed my clipboard and my flogger and I made my way to the lockers, where my dutiful minions await my first order of each day. It’d been a minute since we cleared out the ducts in the south wing of AMG Headquarters, so that’s where I ushered my team first. The poor souls shivered at the thought of tackling a highly neglected section of the system. But, as always, work needs doing and this is the work.

At long last, just when I started considering replacing my whole crew outright and leaving the current one for dead, they returned, battered and winded, but alive. And they brought wares! O blessed day! Without further ado, I bring you our June Filter!

Kenstrosity’s Medieval Mutton

Aklash // Reincarnation [June 20th, 2024 – Self Release]

Proving the unlikely flexibility of black metal as a medium, tales of knights, castles, and fantastical clashes of class marries with charred extremity so effortlessly that it comes at no surprise to me how UK Medieval melodic black metal troupe Aklash came to be. Kicking fourth record Reincarnation off with an incredible one-two punch, “Reincarnation” and “Communion with Ghosts,” Aklash’s melodic black metal-meets-Vulture Industries-meets-Modest Mouse-meets-Æther Realm concoction charms its way deep into my very being. These songs, burgeoning with lush compositions, incredible guitar work, and multifaceted personalities, evoke imagery of the ancient and the arcane so vividly that it often feels like traveling through time in an alternate universe of magic and mirth. The rabid “Babylon” takes this initial salvo and stabs yet another 1,200cc of pure adrenaline into my veins.2 As my neck swings and spirals with great velocity, giant mugs of mead spontaneously manifest in both fists. What is a sponge to do but imbibe? Against all odds, such infectious energy sustains into the magnificent closer “My Will Made Manifest,” making this record a wall-to-wall festival of sound. If it weren’t for a couple of frilly interludes and the teensiest spot of bloat in a couple of places, I could see Reincarnation growing into a year-end contender. In the end, it might do just that.

Thus Spoke’s Forgotten Findings

Cainites // Revenant [June 21st, 2024 – Scarlet Records]

It was once rumored across Eastern Europe that those who rebelled against the Orthodox church were cursed to become vampires after they died. Revenant, however, follows an Orthodox priest, whose induction into the class of bloodthirsty monsters happens irrespective of his religious devotion. Crafting a spooky tale with Scandinavian-inspired melodeath and flourishes of synthy blackened death, Italian duo Cainites strike a little like a less-polished Tribulation, but with bags of their personality. These guys know how to write a riff that shivers its way up your spine (“Theotokos,” “God’s Wrath,” “Redemption”) and dance around in your belly (“Darkness Awaits,” “Forgive Our Sins”), and damn, can it be catchy. Using a dueting mixture of growls and moaning cleans, choruses jam their way into your brain and don’t budge (“Vampire God,” “We Lost Our Sanctity”), amplifying the gleefully malicious bounce of the riffs with tongue-in-cheek melodrama. Solos have just enough yearning depth while staying grounded with a gritty tone, and not outstaying their welcome. The album generally treads the line well between camp and serious, discounting, perhaps, the extended spoken-word Bible recitation where God curses Cain (“Cainites”). In all, it’s a very good time and only grew on me the more I listened. One to check out for true fans of melodeath.3

Inherits the Void // Scars of Yesteryears [June 21st, 2024 – Avantgarde Music]

Scars of Yesteryears took me so much by surprise that I had to be informed by another staff member that it even existed. Having reviewed last year’s The Impending Fall of the Stars, and finding it quite an uplifting piece of melodic black metal, I was keen to see where the project had gone, musically, in the intervening time. The answer is nowhere, but that’s not entirely negative. This is still soaring (“L’effigie Du Déclin”), epic (“Scars of Yesteryear,” “L’eternelle Course Des Astres”), blistering (“Celestial Antler”), and sometimes beautiful (“The Endless Glow of Twilight”) meloblack. With lightning-fast and stormily dynamic riffing and enough of a melodic through-line to keep things going. The highs are not as high as they were on the previous record, the slower moments lacking the atmosphere and grandiosity that former work showed (though coming closest on “L’eternelle…” and “The Endless…”). However, the whole feels more consistent and steady, with the first half whizzing by on the tailwind of “Celestial Antler,” “The Orchard of Grief,” and “Ashes of Grievance”‘s bubbling energy, and the second dipping in intensity only to be saved by the final couple of tracks. Above-average, fiery meloblack, and worth taking for a spin even if it won’t be making any lists.

Dear Hollow’s Dumpster Disturbance

Bilmuri // American Motor Sports [June 28th, 2024 – Self Release]

Everyone loves easycore.4 In an alternative universe where easycore is a natural progression of pop country rather than pop/punk, it becomes an international treasure and that treasure is American Motor Sports. Of the crabcore alum of Attack Attack!,5 Johnny Franck is least likely to be featured on Octane Radio,6 as the Bilmuri project has been a means for musical exploration since his departure. Offering the most streamlined homage to the three M’s (‘Murica, memes, and the Midwest), get ready to crank your hog to ten songs of heartbreak, beer, and landscaping through arena pop country with needlessly heavy djent guitar riffs – alongside Franck’s signature insanity coursing through all the movements. From the deathcore-meets-honkytonk and sub drops of “Better Hell” and “Spinnin’ You Around,” the blaring and sexy sax solos of “2016 Cavaliers (Ohio),” “Straight Through You,” and “Drunk Enough,” the blazing fiddle of “Talkin’ 2 Ur Ghost,” to the Kevin James breakdown call out of “Emptyhanded,” Bilmuri creates an infectious blend of the safely predictable and the utterly apeshit. It features guest artists from country scenes (Dylan Marlowe, Mitchell Tenpenny) and indie pop spheres (Knox, Arizona) who all add yearning and theatricality to Franck’s already emotive performances. American Motor Sports is twenty-eight minutes of catchy melodies, scathing grooves, and tastefully tragic lyrics with a penchant for memes. We’re all supposed to hate it, but much to my assigned promos’ dismay and Steel Druhm‘s chagrin,7 I haven’t been able to listen to much else.

Dolphin Whisperer’s Maritime Musing

Houle // Ciel Cendre et Mis​è​re Noire [June 7th, 2024 – Les Acteurs de l’Ombre Productions]

We all know that black metal hits harder when it’s actually something else wrapped in a blackened and shrieking package. France’s Houle offers Ciel Cendre et Misère Noire as a one part Iron Maiden, one part Immortal, and two parts unstoppable siren screaming as vocalist Adsagsona shreds throat through each of the blazing numbers on this debut (minus the beer-swinging sailor intro). Her ear-stabbing cries tally high, and if it weren’t for her glottal punishments and accompanying guitarists’ breaks into tremolo melodies, tracks “Sur Les Braises de Foyer” and “Sel, Sang et Gerçures” could be instead the backdrops to something of the dark power metal world, replete with Maiden bass gallop and anthemic flair. She has a fine narrative croon too, but it’s her flagrant vocal flayings that sell the extremity of what Houle packs as ballast. With terraced guitar lines and thrashed-out drum breaks (“La Danse du Rocher,” “Mère Nocturne”), Ciel Cendre has the forward energy of battle and doesn’t let go to the very end, joining bands like Aorlhac and Passièsme in the modern melodic black metal field fit for castle raids. But as long-form closer “Née des Embruns” reinforces with calls of the ocean in its open and fade, Houle attacks from the sea. En garde!

Mark Z.’s Musings

200 Stab Wounds // Manual Manic Procedures [June 28th, 2024 – Metal Blade Records]

Following a rapid rise to fame during the first few months of the COVID-19 pandemic, Ohio death metal troupe 200 Stab Wounds thrust their Slave to the Scalpel debut onto the masses in 2021. While I was about as mixed on that one as Felagund was, their second album Manual Manic Procedures has proven these wounds cut far deeper than originally thought. The beefy chugs that the band has become known for are still here in full force, but now they’re paired with sharper hooks and a heightened sense of maturity. On Procedures, you’ll hear acoustic plucking, immense Bolt Thrower riffing, grooves that will blow your guts out, and even some melodic death metal influence—and that’s just on the first song. The band also knows when to give you a breather, be it a well-placed atmospheric instrumental (“Led to the Chamber / Liquefied”) or an extended ride on a great groovy riff (“Defiled Gestation”). With a monstrous guitar tone, plenty of killer moments, and a track flow that’s smoother than liquefied human remains, Manual Manic Procedures feels like modern death metal coming into its own.

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