Interior Design Portfolio Brochure Template: 26-Page InDesign Layout Built for Studio Pitches

Honestly, I’ve seen so many portfolio templates that look like they were designed for a generic business, then retrofitted for design studios. But this one wasn’t. Tom Sarraipo’s interior design portfolio brochure template for Adobe InDesign is one of the rare exceptions—a layout that feels like it was conceived specifically for the way interior designers present their work: through atmosphere, sequencing, and editorial restraint.

That distinction matters more than it sounds. An interior design portfolio brochure template isn’t just a container for your projects. It’s a positioning document. It signals how you think, how you edit, and how seriously you take craft. The template’s design language does a significant portion of that signaling before anyone reads a single line of copy.

Please note that this template requires Adobe InDesign installed on your computer. Whether you use Mac or PC, the latest version is available on the Adobe Creative Cloud website—take a look here.

So let’s talk about what this interior design portfolio brochure template actually does—and why the structure behind it is worth studying even if you don’t end up using it.

What Makes a Professional Interior Design Portfolio Template Different from a Generic Brochure?

The honest answer: sequence logic. A generic brochure template optimizes for information density. A professional interior design portfolio brochure template optimizes for narrative momentum. Those are fundamentally different design problems.

Sarraipo’s layout solves the second problem. The 26-page structure isn’t arbitrary—it follows what I’d call a Studio Credibility Arc, a sequencing framework built into the page order that moves from identity to proof to invitation. You open with who the studio is, move through what it does and how it thinks, then land on evidence, and close with warmth.

That arc is standard in high-performing design agency collateral. But executing it in a customizable InDesign template is technically difficult because every placeholder must anticipate a range of content types. This template handles that tension well.

The 26-Page Structure and Why Every Section Earns Its Place

Twenty-six pages is a deliberate count. It’s enough to tell a complete studio story without forcing padding. The included sections cover contents, overview, studio introduction, vision and philosophy, core values, design services, service overview, design process, featured projects, studio metrics, design direction, interior portfolio, design team, client testimonials, studio timeline, design packages, trusted partnerships, terms and conditions, and a closing thank-you spread.

That’s not a random list. It’s a complete client engagement narrative. Notice what comes early: philosophy and values precede services. That’s intentional. In premium interior design, clients buy the perspective before they buy the service. Sarraipo’s sequencing reflects how sophisticated design pitches actually work.

The Studio Metrics spread deserves specific mention. Showing numbers—project counts, client satisfaction rates, team size—inside a beautifully structured layout converts abstract claims into legible proof. The template treats quantitative evidence as a design element, not an afterthought.

A Closer Look at the Visual Language of This Interior Design Brochure Layout

The template’s aesthetic belongs firmly to what I’d call Warm Functional Modernism—a visual register defined by neutral backgrounds, warm accent tones, clean sans-serif typography, and generous whitespace. It borrows from Scandinavian editorial design and high-end real estate marketing, but keeps the grid tight enough for the layout to read as professional rather than merely stylish.

The cover anchors that language immediately. A large-format hero image dominates the page. The studio name sits in bold, oversized type. The tagline holds a secondary weight beneath. It’s a classic hierarchy, executed without unnecessary decoration. That restraint is the point—the cover says, “We let the work speak.”

Inside pages maintain tonal consistency through a recurring warm accent color—visible in subheads, rule lines, metric callouts, and icon elements. That single-color thread functions as what designers call a Chromatic Signature: a hue used sparingly enough that every instance feels intentional rather than decorative. It also creates visual memory across the spread sequence, which matters when a reader is flipping through a printed brochure.

Typography Hierarchy in the Template

The type system works in three clear scales. Display type handles section titles and large metric figures. Body type carries descriptive text and service descriptions. Caption type labels team photos, testimonial attributions, and timeline entries. Each scale has consistent spacing, and the relationships between them feel calibrated rather than arbitrary.

That calibration is harder to achieve in a template than in a bespoke design. It requires the designer to anticipate variance—longer studio names, shorter taglines, more or fewer services—while keeping the hierarchy intact. The layout handles this reasonably well because the InDesign paragraph styles can be edited without breaking the proportional relationships.

Interior Portfolio Pages: The Section That Does the Most Work

For an interior design portfolio brochure template, the portfolio spread is the critical test. Everything else builds credibility. This section delivers evidence.

The template uses a multi-image grid format for the portfolio pages. Multiple photos sit in a structured arrangement that allows both full-bleed drama and comparative sequencing. That dual function is important. A single full-bleed image communicates atmosphere. A grid communicates range. The layout offers both, which is the right editorial decision for a studio pitching a diverse residential or commercial portfolio.

The grid spacing maintains enough margin between images to prevent the visual noise that plagues over-packed portfolio layouts. Each photo cell reads as a considered editorial choice rather than a thumbnail dump. That’s the difference between a brochure that feels curated and one that feels comprehensive—and curated always wins in premium positioning.

Featured Projects vs. Interior Portfolio: Two Different Strategic Moves

The template separates Featured Projects from the full Interior Portfolio. This is a structurally smart decision. Featured Projects can highlight one or two signature commissions with extended detail—process notes, client brief references, outcome descriptions. The portfolio grid shows breadth. Together, they work as a Proof Layering System: depth first, range second.

Most interior design studios present their work the other way around—grid first, detail never. That approach works for social media but fails in a client pitch brochure. Sarraipo’s structure corrects that default by building depth into the template architecture itself.

Why CMYK Color Mode Matters for Printed Interior Design Collateral

This template uses CMYK color mode. If you’re printing physical brochures—and you should be, for high-value interior design pitches—that’s the correct setting. RGB files converted at the printer often produce color shifts that read as careless. CMYK documents produced in InDesign with proper color profiles go to press with accuracy.

For a luxury interior design practice, print quality is a brand signal. A brochure printed from a properly configured CMYK InDesign file lands differently than one converted from a screen-optimized RGB layout. Clients notice, even when they can’t articulate what they’re noticing. They feel it as a quality differential.

The A4 format is the standard choice for European and international studios. It fits standard print runs, works across most professional printers, and maintains a document feel that distinguishes it from oversized promotional formats. For studios targeting clients who appreciate precision, A4 is the right call.

Who Should Use This Interior Design Portfolio Brochure Template?

The template works best for established interior design studios, architecture practices with a residential portfolio, and independent designers transitioning from project-based work to studio positioning. It’s not designed for freelancers with three projects to show—the 26-page structure needs sufficient content to sustain the narrative arc.

Beyond active studios, the template works well for new businesses building their first formal pitch deck, for practices that have relied on digital portfolios and are now entering markets where physical collateral is expected, and for studios pitching to hospitality, commercial, or luxury residential clients who evaluate firms partly through the quality of their printed materials.

The customizable nature of the template in Adobe InDesign means the layout adapts without requiring an advanced design background. You need basic InDesign familiarity—paragraph styles, linked images, and master pages—but not specialist skills. That accessibility is a genuine feature, not a marketing claim.

Practical Customization: What You Actually Need to Change

Adobe InDesign templates of this quality typically require the same set of customizations. Replace the placeholder text with studio copy. Swap the preview images with your own photography. Adjust the accent color to match your brand. Update the font if you have a licensed brand typeface. Apply your logo to the cover, back cover, and running headers.

The template’s paragraph styles make text replacement straightforward. The image frames are set to proportional fitting, so replacing placeholder images doesn’t require manual rescaling. These are signs of a well-constructed template, not accidental conveniences.

One important note: the photos and design elements shown in the template preview are for display purposes only. They are not included in the downloaded file. You will need to supply your own photography—which is, of course, the only appropriate approach for a portfolio that represents your work.

Interior Design Brochure Templates vs. Custom Design: Making the Right Call

This is a question worth answering directly. Custom brochure design from a senior graphic designer runs anywhere from €1,500 to €5,000+ for a document of this complexity. A professionally designed InDesign template at a fraction of that cost gives you a production-ready layout with proven structure, consistent type hierarchy, and print-ready specifications.

The trade-off is differentiation. A custom design is unique to your studio. A template, no matter how well customized, begins from a shared foundation. For most interior design practices, that trade-off is favorable—the customization layer (your photography, your typography, your copy, your color) produces a document that looks entirely your own.

The studios that genuinely need custom design are those competing at a level where the brochure itself is expected to demonstrate bespoke capability—where a template origin would read as a contradiction. Most studios are not at that level, and even those that are often use templates for secondary collateral while reserving custom work for primary brand materials.

Design Frameworks Built Into This Template

Looking at the full page sequence, three editorial frameworks operate simultaneously. The first is the Studio Credibility Arc already mentioned—identity to proof to invitation. The second is what I’d call a Spatial-to-Statistical Oscillation: the layout alternates between image-heavy spreads that communicate atmosphere and text-metric spreads that communicate capability. That alternation maintains engagement through a 26-page document.

The third framework is a Trust Ladder: the sequence of social proof elements moves from studio values (self-reported) through client testimonials (third-party reported) through studio metrics (quantified) through partner logos (institutional endorsement). Each step on that ladder carries more weight than the last. By the time a prospective client reaches the terms and conditions page, they’ve encountered trust evidence at four distinct levels.

These frameworks aren’t labeled anywhere in the template. They’re baked into the structure. That’s good template design: the decisions are made so the user doesn’t have to make them.

How This Template Supports an Interior Design Portfolio for Hospitality and Commercial Clients

The Design Packages and Service Overview sections make this template particularly suited for studios with tiered offerings or multi-discipline service lines. Hospitality interior design pitches often require clear scope delineation—guest rooms, lobby, F&B, spa—and the service sections accommodate that kind of structured breakdown without requiring layout rework.

The Studio Timeline page is underused in most portfolio brochures but functions as a powerful credibility signal in hospitality and commercial pitches. Showing a studio’s evolution—key commissions, growth milestones, and team expansion—communicates stability. Large hospitality groups and commercial developers don’t want to work with studios that won’t exist in three years. The timeline page makes a quiet argument against that concern.

Client Testimonials and Team Pages: The Human Layer

The inclusion of both a Design Team page and a Client Testimonials page reflects a mature understanding of the interior design pitch process. In high-value residential and commercial commissions, clients are selecting people as much as portfolios. The team page personalizes the studio. The testimonials validate the experience of working with those people.

Together they function as a Relational Proof Pair—a presentation of the studio as a set of relationships, not just a body of completed work. That framing is increasingly important in a market where clients can access global studio portfolios online. What they can’t access online is evidence that working with a specific team is genuinely enjoyable. The template gives you the structure to make that case in print.

Adobe InDesign: Why It Remains the Right Tool for This Format

Adobe InDesign remains the industry standard for multi-page print documents. Its paragraph style system, master page architecture, and color management tools are built for exactly this use case. A 26-page CMYK document with multiple image frames, complex typography, and precise grid structures is straightforward in InDesign and genuinely difficult in any alternative tool.

For designers who use Adobe Creative Cloud, this template integrates naturally into an existing workflow. Photography retouched in Lightroom or Photoshop, graphics built in Illustrator, and layout assembled in InDesign—that’s a coherent production pipeline. The template supports it directly.

If you’re not yet a Creative Cloud subscriber, this template is a strong argument for the investment. The ability to produce client-ready print collateral at this quality level, with a professional template as a structural foundation, pays for a CC subscription many times over in a single client engagement.

Forward-Looking Prediction: Print Portfolio Collateral Is Gaining Value

Here’s a position worth putting on record. As digital portfolios become universal, physical print collateral is becoming a differentiator again. When every studio has a polished website, the studio that also arrives with a beautifully printed brochure signals seriousness, investment, and permanence.

This dynamic is most visible in luxury residential markets, high-end hospitality, and premium commercial real estate—exactly the sectors where interior design studios want to grow. In those sectors, physical materials are still expected at certain stages of the pitch process. The studios that maintain print capability are better positioned for those engagements.

A well-structured interior design portfolio brochure template, customized with genuine studio photography and copy, is a durable asset. It doesn’t need to be updated for every pitch. It needs to tell the studio’s story accurately and beautifully and then get out of the way.

This template does that.

Frequently Asked Questions

What software do I need to use this interior design portfolio brochure template?

You need Adobe InDesign to open and edit this template. It is not compatible with Canva, Microsoft Word, or Google Slides. An active Adobe Creative Cloud subscription gives you access to the latest version of InDesign.

How many pages does this interior design brochure template include?

The template includes 26 predesigned, fully customizable pages. The page count covers all major sections of a complete studio presentation, from a cover and contents page through to a closing thank-you spread.

Is this template suitable for professional printing?

Yes. The template uses CMYK color mode and A4 format, both of which are standard specifications for professional offset and digital printing. You should export to PDF/X-1a or PDF/X-4 for print submission, depending on your printer’s requirements.

Are the photos included in the download?

No. The photos and design elements shown in the preview images are for display purposes only and are not included in the downloaded file. You need to replace the placeholder images with your own photography.

Who designed this interior design portfolio brochure template?

The template was designed by Tom Sarraipo, a graphic designer who specializes in professional InDesign layouts for creative industries.

Can I change the colors and fonts in this template?

Yes. Because the template is built in Adobe InDesign, you can edit paragraph styles, swatch colors, and font assignments across the entire document. Changing the accent color globally, for example, requires updating a single swatch in InDesign’s Swatches panel.

Is this template suitable for architecture studios as well as interior designers?

Yes. The section structure—featuring project portfolios, service descriptions, team pages, and client testimonials—applies equally well to architecture practices with a residential or commercial interior focus. The layout is flexible enough to accommodate architectural project photography and firm-specific copy without layout rework.

What is the difference between this template and a generic business brochure template?

This template is structured specifically around the narrative arc of a design studio presentation. It sequences identity, philosophy, services, proof, and social validation in an order that reflects how premium interior design clients evaluate a studio. Generic business brochure templates don’t account for that pitch logic, and the structural difference shows in how the final document reads.

Can I use this interior design portfolio brochure template for digital distribution as a PDF?

Yes. While the template is configured for print, you can also export it as a PDF for digital distribution. For screen-only use, you may want to convert the color profile to sRGB in the export settings to ensure accurate color rendering on monitors.

Where can I purchase this interior design portfolio brochure template?

The template is available through Adobe Stock, where it can be licensed for professional use. Adobe Creative Cloud subscribers with an All Apps plan may have template credits available as part of their subscription.

Don’t hesitate to find other premium design templates here at WE AND THE COLOR.

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This Adobe InDesign Furniture Catalog Design Template Provides a Modern Brochure-Magazine Style

Catalogs are not what they used to be. The era of cluttered, image-heavy product spreads crammed with competing fonts and mismatched grids is over. Today, the most effective furniture catalog design template does the opposite—it breathes, it frames, it lets the product speak. And this Adobe InDesign template by contributor Refresh does exactly that with quiet authority.

Minimalism in commercial print design is often misread as laziness. Experienced designers know better. Restraint is a craft decision. Every whitespace block, every type choice, and every margin setting communicates something deliberate. This template understands that principle from the first page to the last.

So why does this matter right now? Because the furniture industry is experiencing a visual identity reset. Direct-to-consumer brands, boutique interior studios, and independent furniture makers all need print materials that compete with high-end editorial photography. A well-built furniture catalog template for InDesign solves that problem at a fraction of the cost of custom design.

Please note that this template requires Adobe InDesign installed on your computer. Whether you use Mac or PC, the latest version is available on the Adobe Creative Cloud website—take a look here.

What Makes a Furniture Catalog Design Template Actually Work in Print?

Most catalog templates fail at the same point: the gap between how they look in preview and how they perform in production. This template closes that gap with a CMYK color mode setup. That choice alone separates it from consumer-grade templates built for the screen only.

CMYK is the color standard for professional offset and digital print. Designing in RGB and converting late introduces color shifts, especially in neutral tones—exactly the palette furniture brands depend on. Working natively in CMYK from the first artboard means what you see in InDesign is what comes off the press.

The template ships in US Letter format. That’s 8.5 × 11 inches—the standard for North American print runs, from short-run digital to large-format offset. Choosing the right page size before layout begins saves costly reformatting later. This template starts you in the right place.

Twelve predesigned pages form the complete document structure. That number is not arbitrary. Twelve pages cover a functional catalog: cover, introduction, product spreads, detail pages, and a closing section. It’s lean enough to stay affordable to print and rich enough to present a cohesive collection. Furthermore, every page is fully customizable—fonts, colors, imagery, and copy all adapt to your brand without rebuilding the layout from scratch.

The Structural Logic Behind Minimalist Catalog Layout

There’s a design framework I call Selective Density—the discipline of concentrating visual weight in deliberate zones while leaving surrounding space intentionally quiet. This template applies Selective Density consistently across all twelve pages. Product images occupy dominant positions. Supporting text anchors to clear typographic zones. Negative space is not empty—it functions as visual punctuation.

This approach contrasts with what I call Default Grid Saturation—the common mistake of filling every column with content because the grid allows it. Catalogs built on Default Grid Saturation feel exhausting. The reader scans instead of reads. Products blur together. This template avoids that failure mode entirely.

The modern brochure-magazine hybrid style chosen by the designer, Refresh, also signals something specific to the target audience. Brochure layout prioritizes hierarchy and clarity. Magazine layout introduces editorial rhythm—pacing, visual pauses, full-bleed moments. Combining both creates what I call an Editorial Catalog Format: a document that sells products while building brand credibility simultaneously.

Typography as a Spatial Tool

In minimalist catalog design, typography does the heavy lifting. Headlines set scale. Body copy establishes density. And white text blocks define how much room a product deserves on the page. This template treats type as a spatial element, not just an information carrier.

Notice how headings and product names in the template control the reader’s eye path. They don’t compete with imagery—they choreograph it. That’s a sophisticated typographic decision that many catalog templates get wrong by defaulting to oversized, attention-grabbing display fonts that fight the photography.

Color Restraint and Brand Flexibility

The template’s color palette is deliberately neutral. This is a strategic design choice, not a limitation. Neutral palettes in furniture catalog templates serve as a universal base layer—they don’t impose a color identity, they defer to yours. A warm-toned furniture brand can inject ochres and earthy reds. A Scandinavian-influenced studio can stay monochrome. The template accommodates both without resistance.

Additionally, because all color elements are fully customizable in InDesign, you can apply a brand’s exact Pantone-equivalent CMYK values across the entire document in minutes using the Swatches panel.

How to Edit This Furniture Catalog Template in Adobe InDesign

Editing this template requires Adobe InDesign—the industry-standard layout tool for print and digital publishing. If you’re new to InDesign, the learning curve is manageable for template-based work. The document structure does most of the heavy lifting already.

Step 1: Open and Organize the File

After downloading, open the .indd file in Adobe InDesign. Check the Links panel immediately. The template includes placeholder image frames—since the preview photos are not included in the downloaded file, you’ll need to place your own product images. Go to File → Place, select your image, and click into the prepared frame. InDesign scales the image to fit the frame automatically. Adjust cropping using the Content Grabber tool.

Step 2: Replace Placeholder Text

All text in the template is fully editable. Select the Type tool, click into any text frame, and replace the placeholder copy with your product names, descriptions, and brand information. The paragraph and character styles are pre-built—your text will inherit the correct formatting automatically. Avoid overriding styles manually unless necessary, as this preserves consistency across all twelve pages.

Step 3: Customize Colors

Open Window → Color → Swatches to access the document’s color palette. Double-click any swatch to modify its CMYK values. Since the entire template uses defined swatches rather than local color overrides, changing one swatch updates every instance of that color throughout the document simultaneously.

Step 4: Adjust Fonts

Go to Type → Find/Change to locate and replace fonts across the document if you want to apply your brand typeface. Alternatively, use the Character Styles panel to redefine fonts at the style level—one change, total document coverage. Always check for font licensing compatibility before going to print.

Step 5: Package and Export for Print

Before sending to a printer, use File → Package to collect all linked files and fonts into a single folder. Then export a print-ready PDF via File → Export → Adobe PDF (Print). Use the PDF/X-1a or PDF/X-4 preset for professional print compatibility. Confirm CMYK output settings in the export dialog.

Who Actually Needs an InDesign Furniture Catalog Template?

The obvious answer is furniture brands. But the real answer is broader. Interior designers use catalog-style documents to present curated product selections to clients. Architects include furnishing layouts in project proposals. Home staging companies present room-by-room product guides. Independent craftspeople use catalogs to pitch wholesale buyers at trade shows.

In each scenario, the same challenge applies: creating a polished, print-ready document without the budget or timeline for a custom layout from scratch. A well-designed furniture catalog design template solves that problem with precision. Moreover, it does so in a format—Adobe InDesign—that professionals already use, meaning no workflow disruption.

The template is available through Adobe Stock, which integrates directly with Creative Cloud. If you have an Adobe Creative Cloud subscription, you can license and open the template without leaving InDesign. That frictionless workflow is underrated. It means your team can go from license to first edit in under two minutes.

The Future of Print Catalog Design in a Screen-First World

Print is not dead—it’s selective. The brands that still invest in physical catalogs treat them as premium touchpoints, not mass-distribution pieces. This shift changes what a furniture catalog template needs to do. It no longer needs to carry the entire marketing message. Instead, it needs to extend and reinforce a brand experience that begins online and lands in a customer’s hands as something worth keeping.

I predict that the next generation of catalog design will move toward what I call the Tactile Authority Framework: layouts intentionally designed to feel more valuable in print than on screen. That means generous margins, high-contrast type, and images that reward physical proximity. This InDesign furniture catalog template already positions itself within that direction. Its restraint, its whitespace, its editorial pacing—these are not just aesthetic preferences. They’re forward-looking design decisions.

Furthermore, AI-assisted design workflows are accelerating template adoption. As generative tools handle initial content drafts, the bottleneck shifts to layout. A clean, professionally structured furniture catalog template for InDesign becomes the essential scaffold around which AI-generated copy and curated photography are assembled quickly. This template is built for that workflow, even if it predates the conversation.

Why This Furniture Catalog Template Stands Apart from Generic Alternatives

Most templates on generic marketplaces suffer from what I call Feature Overcrowding—too many page variants, too many color scheme options, too many font pairings bundled in to justify the price. The result is a document that requires extensive cleanup before it resembles a finished design.

This template from Refresh takes the opposite approach. Twelve focused pages. One cohesive aesthetic direction. Zero visual noise competing for attention. That deliberate narrowness is its strength. You’re not buying a template kit—you’re buying a finished design philosophy that you customize for your brand.

The Adobe Stock ecosystem also matters here. Licensing through Adobe Stock ensures the asset is cleared for commercial use, documented, and supported. That’s not a minor point for professional studios and agencies. Template licensing disputes are a real operational risk. Sourcing through Adobe Stock eliminates it.

A Note on Preview Images

The lifestyle and product photography visible in the template preview serves as a visualization reference only. Those images are not included in the downloaded file. This is standard practice for commercially licensed templates. Budget for high-quality product photography or source images from Adobe Stock, which integrate directly into the InDesign file via the CC Libraries panel. Matching the preview’s mood and lighting quality is achievable—just not with the exact preview images.

Final Thoughts on the Minimalist Furniture Catalog Design Approach

Good catalog design is an argument. It argues that your product deserves attention, that your brand has a point of view, and that the person holding the catalog is worth communicating with seriously. This furniture catalog design template for Adobe InDesign makes that argument clearly and quietly.

Minimalism in catalog layout is not about doing less. It’s about doing exactly what’s necessary and nothing more. Every page in this twelve-page document earns its place. Every margin, every typeface decision, every image frame placement reflects a coherent spatial logic. That’s rare in commercial templates. And it’s worth recognizing.

If your brand is ready to invest in print materials that match the quality of your product, this template is a strong foundation. Customize it, photograph it well, and let the layout do its job. The structure is already there.

Frequently Asked Questions

What software do I need to edit this furniture catalog design template?

You need Adobe InDesign to open and edit this template. It is a native .indd file designed specifically for InDesign. A current Adobe Creative Cloud subscription includes InDesign and allows you to license the template directly through Adobe Stock.

Is this furniture catalog template print-ready?

Yes. The template is set up in CMYK color mode and US Letter format, making it compatible with professional print workflows. Export as PDF/X-1a or PDF/X-4 for full print compatibility.

Can I use this template for digital publishing as well?

Yes. While the template is optimized for print, you can export it as an interactive PDF or adapt it for digital distribution. Note that CMYK colors may appear slightly different on screen compared to print output—adjust color profiles if digital accuracy is a priority.

Are the photos from the preview included in the template download?

No. The photography and design elements shown in the preview images are for display purposes only and are not included in the downloaded file. You will need to place your own product photography into the image frames within InDesign.

How many pages does this InDesign furniture catalog template include?

The template includes 12 predesigned, fully customizable pages. This covers a complete catalog structure including cover, interior spreads, and closing pages.

Is this template suitable for small furniture brands or independent designers?

Absolutely. The template is designed to be accessible for solo designers and small teams while meeting professional print production standards. Its straightforward structure makes customization manageable even without advanced InDesign expertise.

Where can I find this furniture catalog template for Adobe InDesign?

The template is available through Adobe Stock, designed by contributor Refresh. You can license it directly within Adobe InDesign via the CC Libraries panel or through the Adobe Stock website.

What is the page size of this furniture catalog template?

The template is formatted in US Letter size, which is 8.5 × 11 inches. This is the standard page format for professional catalog production in North America.

Don’t hesitate to find other trending graphic design templates for different creative needs here at WE AND THE COLOR.

Corporate Business Brochure Design Template for Adobe InDesign: 22 Pages, Print-Ready

Most business brochures fail before they’re even printed. The layout looks patched together. The hierarchy feels borrowed. Nothing holds the reader’s eye long enough to matter. Yet the companies that communicate best visually aren’t always the ones with the biggest budgets—they’re the ones with the right foundation. A well-designed corporate brochure template changes the entire starting position. You’re not building from a blank canvas; you’re refining from a point of real craft.

This corporate business brochure template by Adobe Stock contributor Tom Sarraipo is that kind of foundation. It’s 22 pages of structured, print-ready InDesign layout that covers every section a modern company presentation needs—from mission and vision to team profiles, service listings, project timelines, pricing packages, and client testimonials. Furthermore, it ships in CMYK color mode, making it ready for professional offset and digital printing without color surprises.

If you’re searching for a professional InDesign brochure template that actually communicates corporate authority while staying fully customizable, this is worth understanding in detail.

Please note that this template requires Adobe InDesign installed on your computer. Whether you use Mac or PC, the latest version is available on the Adobe Creative Cloud website—take a look here.

What Makes a Corporate Business Brochure Template Truly Professional?

That’s the question most designers stop asking too soon. A template isn’t professional simply because it looks clean. “Professional” means structurally sound—every page has a clear job, and the sequence of pages builds a coherent argument about the company. Sarraipo’s layout follows what I’d call a Narrative Architecture Model: each spread acts as a chapter, and together they build a persuasive company story from identity to evidence.

The cover sets the tone immediately. Bold sans-serif type in high contrast reads at a glance, while the editorial use of full-bleed photography grounds the design in physical credibility. This isn’t decorative minimalism for its own sake—it’s communicative restraint.

Moreover, the contents page does something many brochure templates skip entirely: it treats navigation as a design element. Section dividers, typographic hierarchy, and a structured grid make the spread feel like a quality publication rather than a company handout.

The 22-Page Structure: A Section-by-Section Overview

What separates a thoughtfully scoped brochure template from a generic one is section logic. Each of these 22 pages serves a specific rhetorical function in a corporate presentation:

Cover: Establishes brand tone and first impression. Heavy typographic contrast and full-bleed imagery. Table of Contents: Structured navigation layout with clear hierarchy. About Us: Team-facing portrait photography with editorial text columns. Mission & Vision: Two-page spread with text blocks and supporting imagery—ideal for value communication. Stats and Data Spread: Chart-formatted data visualization for key business metrics. Our Services: Multi-column services layout with supporting photography and percentage indicators. Our Team: Portrait-based grid with role typography—names, positions, brief bios. Project Timeline: Structured Gantt-style timeline layout with milestone entries. Pricing and Packages: Three-tier pricing comparison with feature bullets and clear CTAs. Assurance Report: Data-dense single-page layout for trust signals and compliance details. Our Testimonials: Client quote grid with portrait photos and source attribution. Thank You / Back Cover: Closing spread with contact and brand reinforcement.

Additionally, all text and images are placeholder-based. Consequently, you can drop in your own content without restructuring a single element.

Why CMYK Matters for Professional Business Brochure Design

Color mode is the most frequently overlooked technical detail in template selection—until the print job comes back wrong. RGB is a screen-based color model. Therefore, files built in RGB will produce unexpected color shifts when sent to a commercial printer using CMYK inks.

Sarraipo’s template is built natively in CMYK. That means the warm neutrals in the photography-integrated layouts, the clean whites in the data spreads, and the carefully chosen accent tones will all translate accurately to print. You’re not guessing; you’re working within the same color model your printer uses.

For businesses ordering professional print runs—whether for client pitches, trade shows, investor meetings, or partner presentations—CMYK-native InDesign templates reduce prepress rework substantially. This is not a minor technical footnote; it’s a significant practical advantage for anyone ordering offset printing in quantity.

The Design Language: Editorial Restraint as Corporate Communication

Tom Sarraipo’s visual language throughout this corporate brochure template is what designers describe as editorially restrained. That term deserves unpacking. Restraint in editorial design doesn’t mean sparse or cold—it means every visual decision earns its place.

The color palette is warm and neutral with strategic amber accents. The typographic system pairs a geometric sans-serif for headings with a legible serif or clean body face for body copy. The grid is strict, which paradoxically creates visual freedom—elements aren’t fighting each other for space.

Furthermore, the photography integration throughout the layout follows a Contextual Immersion Principle: images don’t function as decoration but as evidence. The About Us spread uses an in-context portrait—a professional in a designed office environment—rather than a posed headshot against a white background. The “Our Team” spread echoes this with candid-style professional portraiture. These choices communicate a specific brand personality: thoughtful, modern, and grounded.

The stats spread—one of the most challenging page types to design well—handles data visualization with typographic weight rather than chart complexity. Large percentage figures paired with simple bar indicators communicate data without requiring the reader to interpret complex visualizations. That’s a genuinely smart editorial decision.

How to Customize This Corporate InDesign Brochure Template

One of the strongest practical arguments for using an A4 InDesign brochure template like this one is the customization workflow. Adobe InDesign’s paragraph and character styles mean you can update fonts globally from a single panel. Master pages handle repeating elements—page numbers, footers, and section headers—without manual page-by-page edits.

Here’s how to approach customization efficiently:

Step 1—Replace placeholder images first. Use InDesign’s Place command (Cmd/Ctrl+D) to swap in your own photography. Because all image frames are pre-sized and masked, your images drop into an established composition immediately.

Step 2—Update color swatches. Open the Swatches panel and redefine the primary accent color to match your brand. All elements linked to that swatch update automatically across all 22 pages.

Step 3—Replace text content section by section. Start with the cover and work through in page order. Since all text blocks are placeholder copy, each text frame is already sized and styled for the amount of copy each section needs. Don’t overwrite. Match the placeholder’s approximate word count for best visual results.

Step 4—Export to PDF for print using the PDF/X-1a or PDF/X-4 preset. Both presets are designed for CMYK commercial printing and will embed all fonts and flatten transparency correctly.

Who Needs a 22-Page Corporate Business Brochure Template?

The obvious answer is corporations. But the actual range of use cases for a full-scope corporate brochure layout is broader than the label suggests.

Consulting firms, architecture studios, real estate agencies, financial advisory practices, and technology service companies all require presentation documents that do what this template does—communicate capability, credibility, and identity in a single designed object. Similarly, startups approaching investors need the same editorial authority that established corporations project. A well-structured InDesign company brochure template compresses the visual credibility gap considerably.

Marketing agencies producing materials for clients frequently use customizable brochure templates as billable starting points. Rather than building a 22-page layout from scratch, they adapt a proven grid and structure. The design time savings are significant, and the output quality is consistently high.

Additionally, nonprofit organizations preparing annual reports, capabilities statements, or donor presentations share the same structural needs as corporate entities. The sections in this template—team, mission, services, financials, testimonials—translate cleanly to the nonprofit context with minimal adaptation.

What the Corporate Brochure Template Gets Right About Business Communication

I’ve reviewed a significant number of business brochure templates, and the consistent failure mode is what I call visual noise syndrome: too many decorative elements competing with the content, no clear reading path, and section types that feel randomly sequenced. Sarraipo avoids all three.

The reading path through this template is deliberate. You enter through brand identity (cover, contents), move into company character (about us, mission and vision), then into capability proof (services, team, stats), followed by commercial terms (pricing, timeline), and close with trust signals (assurance, testimonials). That sequence mirrors an actual sales conversation. Therefore, this isn’t just good design—it’s persuasive architecture.

The “Thank You” back cover is a detail worth noting specifically. Many brochure templates leave the back cover as an afterthought. Here, it mirrors the front cover in weight and typographic consistency, treating the closing moment of the document as a considered communication rather than a production necessity. Small distinction; real impact.

InDesign Corporate Brochure Template vs. Starting From Scratch

There’s a recurring debate in design communities about whether using templates compromises creative originality. Frankly, it’s a false conflict. Templates don’t replace design thinking—they replace construction time. Furthermore, a template by a skilled designer like Sarraipo brings solved problems to the table: consistent grid proportions, pre-tested typographic hierarchies, and page compositions that have been refined visually rather than generated by algorithm.

Starting from scratch makes sense when a project has highly specific constraints that no template satisfies. For the vast majority of corporate brochure projects—where the goal is professional communication rather than design innovation—a well-built template is the superior starting point. The time saved goes back into content quality, photography selection, and communication strategy.

For designers billing hourly, that time differential is direct profit margin. Furthermore, for in-house marketing teams, it reduces production cycles. And for business owners who are their own designers, it’s a finished document that looks like it came from a professional studio.

Adobe Stock Corporate Brochure Templates: What to Look For

Adobe Stock’s template catalog varies widely in quality. When evaluating InDesign corporate brochure templates specifically, these criteria consistently predict usability:

CMYK color mode—non-negotiable for any print application. Properly organized layers save significant customization time. Paragraph and character style consistency enables global typography changes. Master page setup—running elements should live on masters, not on individual pages. Page count appropriate to scope—22 pages is the right range for a full corporate presentation document. Fewer pages leave out critical sections; more pages often include redundant spreads. Section logic—pages should tell a story in sequence, not just fill a page count.

Sarraipo’s template meets all six criteria. Moreover, all images in the template are placeholder-only—no embedded stock photography that might carry licensing complications in your final document. You supply the actual imagery, and the layout performs the composition work.

The Future of Corporate Brochure Design

Print isn’t dying. It’s differentiating. In a landscape saturated with digital-first company communications—decks, microsites, LinkedIn posts—a well-designed physical brochure has become a higher-signal object. Handing a client or investor a printed brochure with this level of editorial craft communicates intent, resources, and attention to detail in a way a shared Google Slides link does not.

Consequently, the demand for high-quality, print-ready InDesign templates is increasing rather than declining. Designers and brands that invest in strong printed materials now position themselves against a backdrop where most competitors have abandoned the format entirely.

My prediction: companies that maintain polished print collateral alongside their digital-first communications will develop what I term a Tactile Credibility Advantage—a measurable trust differential with clients and partners who receive physical materials. This advantage compounds over time as the printed business document becomes genuinely rare. Therefore, a CMYK-ready, professionally structured corporate brochure template isn’t just a production tool. It’s a strategic communication asset.

Frequently Asked Questions

What software do I need to use this corporate business brochure template?

You need Adobe InDesign. The template is built as an InDesign layout file (.indd), so you need an active Adobe Creative Cloud subscription that includes InDesign. Any recent version of InDesign will open the file. Adobe offers Creative Cloud plans for individuals, teams, and enterprises through Adobe.com.

Is this corporate brochure template print-ready?

Yes. The template is built in CMYK color mode, which is the correct color model for professional printing. Export to PDF/X-1a or PDF/X-4 from InDesign for commercially printable output. The A4 page format is standard for international print production.

Can I use this template for digital distribution as well as print?

Absolutely. InDesign exports to interactive PDF, which works well as an emailed or downloadable digital brochure. For web embedding, you can export to a standard PDF and host it on your website. However, the template is optimized and built for print first, so print output will be the highest-quality application.

How many pages does this corporate InDesign brochure template include?

The template includes 22 pre-designed, fully customizable pages covering a cover, table of contents, about us, mission and vision, stats spread, services, team, project timeline, pricing and packages, assurance report, testimonials, and a closing thank you page.

Are the images and text in the template licensed for commercial use?

All images and text in the template are placeholders only—they are not licensed for final use. You must replace all placeholder images with your own licensed photography and replace all placeholder text with your own content before distributing the brochure commercially.

Can a non-designer customize this corporate brochure template?

Yes, with basic InDesign familiarity. The placeholder structure means you’re primarily replacing content rather than building layouts. If you’re new to InDesign, Adobe offers free tutorials through Adobe Learn that cover the essential skills—placing images, editing text, and exporting to PDF—needed to customize a template like this one effectively.

What is the A4 page format in inches?

A4 is 210 mm × 297 mm, equivalent to approximately 8.27 × 11.69 inches. It’s the standard document size for professional printing in Europe, Australia, and most international markets. For US-based printing, you may need to adjust the page size to US Letter (8.5 × 11 inches) and recheck all margins and bleed settings accordingly.

Who designed this corporate business brochure template?

The template was designed by Tom Sarraipo, a graphic designer and contributor to Adobe Stock. It is available for download through Adobe Stock as a customizable InDesign layout file.

Browse WE AND THE COLOR’s Templates category for more.

This Visual Editorial Art Book InDesign Template Redefines How Creatives Present Art

Some templates exist to fill space. Others exist to frame meaning. This Adobe InDesign editorial art book template, designed by McLittle Stock and available on Adobe Stock, belongs firmly in the second category. It carries a quiet confidence that most layout templates simply lack. The spreads don’t shout. They breathe. And that restraint, more than anything else, is what makes this template worth talking about.

Please note that this template requires Adobe InDesign installed on your computer. Whether you use Mac or PC, the latest version is available on the Adobe Creative Cloud website—take a look here.

Visual editorial art book templates are having a genuine moment right now. Galleries, independent publishers, fine art photographers, illustrators, and even brand studios are rethinking how they package and present creative work. The PDF portfolio feels dated. The Instagram grid feels disposable. So what fills that gap? A thoughtfully designed art book layout — one that treats the work with seriousness and the reader with respect.

This template does exactly that. Moreover, it does it in a format that any designer, regardless of experience level, can actually use.

What Makes an Editorial Art Book Layout Template Different from a Standard InDesign Template?

Most InDesign templates are built for utility. They help you lay out text, align columns, and hit a deadline. An editorial art book InDesign template operates under a completely different logic. Here, the layout is not a container for content. Instead, the layout is the content.

This distinction matters enormously. A standard brochure template asks: Where does the information go? An editorial art book template asks: how does the image feel on this page? What tension exists between the typography and the photograph? How much white space earns silence, and how much earns emptiness?

This McLittle Stock template answers those questions beautifully. The spreads alternate between full-bleed image moments and restrained typographic compositions. Bold, condensed serif headlines sit alongside narrow columns of body text. Paintings appear as standalone full-page bleeds or curated in multi-panel grid arrangements. The result is a pacing system — what I’d call a Visual Breath Sequence — where tension and release trade off across pages with editorial intelligence.

Furthermore, the template operates across a wide tonal range. Aerial landscape photography, classical oil paintings, flat graphic illustration, and delicate botanical art all appear in the preview, and each fits the layout without friction. That tonal versatility is not accidental. It reflects a layout designed around compositional principles rather than specific content categories.

The Typography Hierarchy Does More Than Organize — It Signals

Look at the headline treatment in this template. The large, stacked serif type — condensed, high-contrast, unabashedly bold — does not merely label a section. It asserts authority. It tells the reader: this publication takes itself seriously.

Typography in editorial art books carries enormous responsibility. It sets the expectation before a single image registers. The headline style here references the visual grammar of mid-century European art catalogues and contemporary independent publishing. It feels informed without feeling derivative.

Body copy columns are narrow and generous in line spacing. That combination slows the reading pace intentionally. Art books are not read — they are experienced. The typographic design supports that mode of engagement.

Why Art Directors and Independent Publishers Should Pay Attention to This Template

Here is an honest observation: most ready-made InDesign templates for art books fall into one of two failure modes. They are either so generic that they could belong to any industry, or so ornate that they overpower the artwork itself. This template avoids both traps.

The layout system uses what I’d define as Compositional Neutrality — a design posture where the template architecture recedes just enough to let the artwork lead, while still maintaining enough structural personality to feel curated rather than invisible. That is genuinely difficult to achieve, and it is the most important quality a visual editorial art book template can have.

Additionally, the US Letter format makes this immediately practical for North American publishers, studios, and independent creatives who need both digital and print-ready output. The CMYK color mode supports professional offset and digital printing without color conversion headaches. These are not minor details. They are the difference between a template that looks good in a mockup and one that survives production.

Who This Template Actually Serves

Let’s be specific. This editorial art book InDesign template works particularly well for the following use cases:

• Fine art photographers building a physical or digital portfolio publication
• Illustrators and painters creating a self-published artist monograph
• Galleries producing exhibition catalogues on a constrained budget
• Creative directors developing a luxury lookbook or brand editorial
• Design educators creating course materials or student showcase publications
• Independent publishers launching a visual essay or zine in a professional format

In each of these contexts, the template provides immediate structural credibility. You start with a layout that already knows what it is. Your job becomes curation, not construction.

The Editorial Art Book InDesign Template and the Rise of the Independent Creative Publisher

Something meaningful is shifting in how creatives think about publishing. The tools to produce gallery-quality printed books are no longer exclusive to large publishing houses. Print-on-demand platforms, digital distribution, and tools like Adobe InDesign have democratized the production side entirely. Yet the design side — the actual editorial layout work — has remained a bottleneck.

Templates like this one close that gap. They transfer curatorial intelligence into a reusable, customizable structure. Think of it as a Layout Language Transfer — the encoded design decisions of an experienced editorial designer, available to anyone who can use InDesign.

This matters for the broader creative economy. When independent photographers, painters, and illustrators can produce publications that look genuinely professional, they change how their work is perceived. A hand-bound zine signals one thing. A sixty-page art book with editorial-grade typography signals something entirely different. Both have value. But they serve different contexts, different audiences, and different price points.

Moreover, the customizability of this template means that two different creatives using it will produce two completely different publications. All images and texts are placeholder elements. Replace them with your own content, adjust the color palette, swap typefaces if needed, and the template becomes your template. That adaptability is core to its value.

What the Spread Compositions Tell Us About Layout Intelligence

Study the spreads in this template carefully. Several compositional strategies repeat across pages, and each one reflects a deliberate editorial choice.

First, the full-bleed landscape photographs create visual anchors. They stop the reader. They demand attention before the page turn. Second, the multi-panel arrangements — particularly the pages where two or three paintings appear side-by-side — create curatorial dialogue between works. Third, the typographic-heavy spreads use negative space aggressively, giving the headline room to register at scale.

Together, these strategies create what I’d call a Tri-Rhythm Layout System: impact spreads, dialogue spreads, and rest spreads. The sequence creates momentum without fatigue. It is the same rhythm that experienced editorial designers use when building magazine features or gallery catalogues. Finding that rhythm embedded in a downloadable template is genuinely impressive.

How to Customize This Visual Editorial Art Book Template Effectively

Downloading a template and replacing placeholder text is the beginning, not the end. Here is how to approach customization thoughtfully.

Start with image curation, not placement. Before opening InDesign, select your final image set. Organize works by tonal weight — dark, mid, and light compositions. Then sequence them so the template’s built-in rhythm amplifies your content rather than fights it.

Respect the typographic system. The existing headline and body type hierarchy carries significant visual intelligence. Changing typefaces is absolutely an option, but do so with intention. Choose a replacement that maintains the same contrast between display and text weights.

Use the CMYK color mode as a starting point for your palette. If your artwork carries a dominant color — warm ochres, cool blues, desaturated neutrals — you can carry that tone into decorative elements or section dividers while keeping the primary layout clean.

Don’t over-populate the white space. The generous margins and breathing room in this template are structural, not accidental. Resist the urge to fill every empty area. The negative space is doing compositional work.

Printing This Art Book Template: What You Need to Know

The template’s CMYK color mode and US Letter format (8.5 × 11 inches) make it compatible with most professional print-on-demand services, local print shops, and offset printers. For best results, embed all fonts and flatten transparency before exporting to PDF/X-1a or PDF/X-4 format.

If you plan to print a small run physically, consider uncoated stock for a gallery-quality matte finish, or a semi-gloss coated paper for maximum photograph reproduction quality. Both work with this layout. Your paper choice will shift the overall register of the publication significantly, so order samples before committing to a full print run.

The Editorial Art Book InDesign Template as a Strategic Asset for Creative Professionals

Here is a perspective worth considering: a professionally designed art book publication is not just a portfolio document. It is a positioning tool. It signals seriousness, commercial viability, and editorial vision to gallery directors, collectors, brand collaborators, and editorial clients.

A template that enables independent creatives to produce that level of publication — quickly, affordably, and without compromising visual quality — has genuine strategic value. Not just aesthetic value. Strategic value.

Furthermore, the art book format travels well. Send a digital PDF to an international gallery. Ship a printed copy to a potential collector. Upload a preview to your website. Each context reads the same level of editorial intention. That consistency across distribution channels is something Instagram and Behance portfolios simply cannot provide.

I genuinely believe that the creatives who will differentiate themselves over the next five years are the ones who invest in physical and digital publishing artifacts that carry editorial weight. This template is a legitimate starting point for that investment.

Adobe Stock and the Expanding Ecosystem of Professional InDesign Templates

McLittle Stock’s contribution to Adobe Stock reflects a broader trend: professional-grade InDesign templates are increasingly available at a fraction of the cost of custom design work. The quality ceiling has risen significantly. Five years ago, the template market was dominated by generic corporate formats. Today, editorial art book InDesign templates like this one demonstrate that template design has matured into a serious creative discipline.

For creative professionals who use Adobe Creative Cloud, the integration is seamless. Download, open in InDesign, and begin customization immediately. No conversion, no compatibility friction, no rebuilding from scratch.

Forward-Looking Prediction: The Editorial Art Book Will Become the Standard Creative Portfolio Format

Here is a prediction worth recording: within five years, the editorial art book — whether printed, digitally distributed, or both — will become the expected portfolio format for serious fine art, photography, and illustration professionals. The PDF portfolio and the social media grid will remain. But neither will carry the cultural authority that a thoughtfully designed publication carries.

The tools to produce these publications already exist. Adobe InDesign templates like this one lower the barrier to entry further. As the quality floor rises across independent creative publishing, the differentiator will not be whether you have a publication. It will be how well-designed that publication is.

Templates like this McLittle Stock editorial art book layout give independent creatives a genuine head start. The structure is already there. The editorial intelligence is already embedded in the layout. What you bring is the work itself — and that, ultimately, is the only part that cannot be templated.

Frequently Asked Questions About the Visual Editorial Art Book InDesign Template

What software do I need to use this editorial art book template?

You need Adobe InDesign to open, edit, and customize this template. The file is formatted specifically for InDesign and is not directly compatible with other layout applications. Adobe InDesign is available through an Adobe Creative Cloud subscription.

What is the page size of this art book InDesign template?

The template is designed in US Letter size, which measures 8.5 × 11 inches. This format is standard for professional printing in North America and compatible with most print-on-demand services and commercial printers.

Is this template suitable for professional printing?

Yes. The template uses CMYK color mode, which is the standard color space for professional offset and digital printing. Export your final document as a PDF/X-1a or PDF/X-4 file for best print compatibility. Always embed fonts and images before sending to a printer.

Can I replace all the placeholder images and text with my own content?

Absolutely. All images and text in the template are placeholder elements. You can replace every element with your own photographs, illustrations, paintings, or other artwork, along with your own copy, titles, and captions. The template is fully customizable within Adobe InDesign.

What types of creative projects work best with this editorial art book template?

This template suits a wide range of creative projects, including fine art photography books, artist monographs, gallery exhibition catalogues, luxury brand editorials, illustration portfolios, and independent visual essays. The layout system accommodates photography, painting, illustration, and mixed-media art equally well.

Who designed this visual editorial art book InDesign template?

McLittle Stock, an Adobe Stock contributor, designed this template. It is available for download on Adobe Stock and comes with a commercial-use license that covers both personal and professional projects.

Do I need advanced InDesign skills to customize this template?

Intermediate InDesign skills are sufficient for basic customization — replacing images, editing text, and adjusting colors. More advanced modifications, such as restructuring the grid system or altering the master page layouts, benefit from stronger InDesign experience. The template’s clean construction makes it accessible to designers at multiple skill levels.

Can I use this template for a digital-only publication?

Yes. While the CMYK color mode is optimized for print, you can export the completed document as an interactive PDF or adapt it for digital distribution. For screen-only use, you might consider adjusting the color profile to RGB for more vibrant on-screen color rendering.

What makes this art book InDesign template different from a standard magazine template?

An editorial art book template prioritizes image presentation and compositional breathing room over information density. This template uses a Tri-Rhythm Layout System of impact, dialogue, and rest spreads that mirrors gallery-quality catalogue design — a structure that standard magazine templates rarely employ. The result feels more like a curated publication than a periodical.

Where can I download this visual editorial art book InDesign template?

This template is available for download on Adobe Stock. Search for McLittle Stock’s editorial art book template using relevant keywords on the Adobe Stock platform to locate and license the file directly.

Check out other popular graphic design templates here at WE AND THE COLOR.

Coucou,

Vous vous rappelez peut-être l'an dernier j'avais parlé d'une brochure soin et résistance sous le fascisme, et je viens ENFIN de la terminer !!

Voilà le lien de téléchargement : https://leo.it.tab.digital/public.php/dav/files/ZXB6tNFgEiaKyBM/?accept=zip

A faire tourner en masse, imprimer, refiler à toutes les distro que vous connaissez <33

force

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Le conspirationnisme : un point de vue syndical
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- C'est une analyse du phénomène conspirationniste, pour comprendre sa nocivité pour l'émancipation des travailleur·euse·s et pour pouvoir nous en protéger et y faire face intelligemment.
- C'est le texte qu'un camarade a écrit en 2020 lors qu'il était au syndicat CNT-Vignoles de Haute-Garonne. C'est en 2025 que le secrétariat formation de la CNT IS 31 a fait la présente adaptation en brochure.

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En brochure : IA et lutte des classes (par Frédéric Lordon)
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