"Though named for a children’s story by Oscar Wilde," Clio Barnard’s THE SELFISH GIANT (2013) "finds little scope in its social realism for a happy ending." Screens 8.35pm today at The Prince Charles Cinema #BleakWeek #Movies https://projectedfigures.com/2013/10/25/the-selfish-giant-2013/
The Selfish Giant (2013) - Projected Figures

Named for a children's story by Oscar Wilde, Clio Barnard's THE SELFISH GIANT finds little scope in its social realism for a happy ending

Projected Figures
"a schizophrenic study of the creative process itself": Robert Altman's IMAGES (1972) shows a childless children's author (Susannah York) fragmenting and losing herself. Screens 3.15pm at The Prince Charles Cinema #BleakWeek #Movies https://projectedfigures.com/2018/07/15/images-1972/
Images (1972) - Projected Figures

Robert Altman's IMAGES depicts either the creative process or the mental fragmentation of a children's fantasy author (Susannah York).

Projected Figures
"an autoptic account of Nazi occupation’s devastating effects on ordinary Belorussians": Elem Klimov’s traumatising war film COME AND SEE (1985) screens noon today at The Prince Charles Cinema #BleakWeek https://projectedfigures.com/2025/06/01/come-and-see-idi-i-smotri-1985/
Come and See (Idi I Smotri) (1985) - Projected Figures

Elem Klimov's traumatising war film COME AND SEE is an autoptic account of Nazi occupation's devastating effects on ordinary Belorussians

Projected Figures
The tense, surreal, frustrating police procedural of Bong Joon-ho's MEMORIES OF MURDER (2003) shows a parochial nation stumbling and bumbling its way into modernity. Screens 8.30pm tonight at The Prince Charles Cinema. Highly recommended. #BleakWeek #Movies https://projectedfigures.com/2018/02/04/memories-murder-2003/
Memories of Murder (2003) - Projected Figures

Bong Joon-ho's MEMORIES OF MURDER is an unusual combination of police procedural docudrama, ambivalent nostalgia piece, dark comedy and existential thriller.

Projected Figures
"a mythic exploration of the ever shifting frontier between savagery and civilisation in an unforgiving landscape": John Hillcoat’s Aussie oater THE PROPOSITION (2005), scripted by Nick Cave, screens 5.45pm today at The Prince Charles Cinema, with Q&A from Hillcoat and star Emily Watson. #BleakWeek #Movies https://projectedfigures.com/2022/09/08/the-proposition-2005/
The Proposition (2005) - Projected Figures

Beautifully shot & enormously powerful, John Hillcoat's THE PROPOSITION shows the birth of a nation in uncompromisingly bleak terms.

Projected Figures
Kiyoshi Kurosawa's CURE (1997) is "an increasingly hallucinatory piece where murderousness is a disease spreading rapidly through the susceptible Japanese psyche". Screens 3.10pm today at The Prince Charles Cinema #BleakWeek #Movies https://projectedfigures.com/2018/11/14/cure-kyua-1997/
Cure (Kyua) (1997) - Projected Figures

In Kiyoshi Kurosawa's mesmerising thriller CURE, murderousness is a disease spreading rapidly through the susceptible Japanese psyche.

Projected Figures
"a quest for hidden meaning amid all the artifice and emptiness of Swinging London": Michelangelo Antonioni's BLOW UP (1966) screens 12.15pm today at The Prince Charles Cinema #BleakWeek https://projectedfigures.com/2020/04/28/blowup-1966-the-shout-1978-cowboys-1991/#Blowup
Bleak Week returns to the American Cinematheque and adds seven cities

The fourth edition of the Cinematheque's celebration of depressing cinema will expand to the Paris in New York, the Prince Charles in London, and more

IndieWire
Bleak Week Festival: American Cinematheque Brings Fest to LA, NYC

Bleak Week Festival, from American Cinematheque, returns to LA for 3rd year and makes its NYC debut this June.

IndieWire

Peter Bart: Cannes Festgoers Dote On Parties & Applause While ‘Bleak Week’ Fans Plunge Into Grateful Despair
#Commentary #Festivals #News #BleakWeek #PeterBart

https://deadline.com/2024/05/cannes-bleak-week-peter-bart-1235919194/

Peter Bart: Cannes Festgoers Dote On Parties & Applause While ‘Bleak Week’ Fans Plunge Into Grateful Despair

Peter Bart looks at the Bleak Week festival celebrating dark films.

Deadline