🇺🇦 #NowPlaying on #KEXP's #VarietyMix

Black Breath:
🎵 Endless Corpse

#BlackBreath

https://open.spotify.com/track/3m3oGbnO7YnaREfbye3Gjk

🎶 show playlist 👇
https://open.spotify.com/playlist/6G4PaS9BNkIuGqMo44rbfZ

🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg

#TheMetalDogArticleList
#MetalInjection
BLACK BREATH Has Reunited

https://627e81c5fee2d202a5df846c.paas-p.smehost.net/news/reunited/black-breath-has-reunited

#BLACKBREATH #HasReunited #MetalInjection #metal #music

#TheMetalDogArticleList
#MetalInjection
BLACK BREATH Has Reunited

https://metalinjection.net/news/reunited/black-breath-has-reunited

#BLACKBREATH #HasReunited #MetalInjection #metal #music

🇺🇦 #NowPlaying on #KEXP's #SeekAndDestroy

Black Breath:
🎵 Sentenced to Life

#BlackBreath

https://blackbreathsl.bandcamp.com/album/sentenced-to-life

🎶 show playlist 👇
https://open.spotify.com/playlist/1uZ3GLf6lDtDqJSQrY0lMU

🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg

Pyre – Where Obscurity Sways Review

By Dear Hollow

Swedeath is one of those games I have zero skin in, but its close overlap with hardcore-influenced death metal and death ‘n roll makes that relationship complicated. Like I could not be bothered by Left Hand Path, but Wolverine Blues is a stalwart among my music collection; Bloodbath is regrettably not an act I return to regularly,1 but I consider Black Breath one of those rare successful intersections of grind, death metal, and death ‘n roll. My point is, I don’t know where the line is drawn between these styles but I know I like some of it and then can’t be fussed about the rest of it. With Pyre, the jury’s still out.

Where Obscurity Sways is the Saint Petersburg quartet Pyre’s third full-length, and it wavers between full-on Entombed worship and something resembling Fuming Mouth. Professing a frigidity more closely resembling black metal coursing throughout, Pyre offers chunky riffs, feral vocals, tense tremolo and chuggy shreds, and a bouncy sense of ubiquitous buzzsaw and passages of doomier tempos, alongside a wailing lead guitar whose rip-roaring solos are owed to multiple members’ contributions to the traditional heavy metal sister act Blazing Rust. Pyre throws the kitchen sink at us, blurring the lines between hardcore- and Swedeath-influenced death metal, boasting that black metal chill and no-holds-barred attitude – only for Where Obscurity Sways to go in one ear and out the other.

That’s not to say you won’t swing your fists and break your neck across Where Obscurity Sways. Big groovy meatheaded fun is front and center with Pyre, a monosyllabic approach that’s as effective as its moniker, despite its various experimentalisms. In the sweet spot that finds itself between chunky riffs, wailing leads, and punishing weight at the mercy of the shifting tempos (“Murderous Transcendence,” “Writhing Souls”), the album pumps adrenaline, utilizing sticky chugging riffs as both capitalization of crescendo and simmering burn. When black metal rears its despondent head (“Murderous Transcendence,” “Prognostic of the Apocalypse”), the sound is transported to a cold second-wave atmosphere that it aims for. Composition is precise and effective, as a smart use of shifting tempos and proper utility of punk beats lead to satisfying conclusions of both intensity and doom (“Where Obscurity Sways,” “Pestilential Fumes”). Barked and howled vocals, provided by bassist Dym Nox, land squarely in crusty territory throughout, although the isolated occurrence of death metal gutturals (“From the Stygian Depths”) is a welcome change of pace for Pyre.

Pyre’s monotonal vocals and inconsistent uses of tempos keeps it from achieving its true potential. The Russians run quite similarly into the same issues as Arizona’s deathgrind/death-doom band Thorn, in which the atmosphere and weight is communicated well enough, but nothing more breaks through the surface. Where Obscurity Sways is entirely inconsistent, Pyre’s tracks blur together in monotonous doom sprawls, but then utilize different tricks for each half of the album: the first half weaponizes wailing leads and ominous melodies, while the second dwells entirely in darkened tremolo. Each has its highlights (“Where Obscurity Sways,” “Pestilential Fumes”) and their droning sloggers (“Domains of the Nameless Rites,” “Chanting Ancient Incantations”). While the two instrumental pieces are decent enough to establish a semblance of atmosphere, their motifs are not utilized across the rest of the tracks for it to stick. In true crusty fashion, Pyre saturates its sound into a crusty, HM-2, Swedeath goo, so it’s easy to let the album at large settle into the background.

Apart from “Murderous Transcendence” and “Writhing Souls,” the whole of Where Obscurity Sways hangs out in relatively decent yet ultimately forgettable territory. Somehow Pyre makes the album seem too long even at a very reasonable thirty-six minutes, but when several songs blur together into a featureless expanse, it’s difficult to track. Some tracks are smartly composed, others painfully dull. Despite its attempt to blend Swedeath, hardcore, doom, and black metal, it keeps tripping itself up with inconsistent tempos and motifs. Utilizing more death vocals, sticky chugs, and black metal, Pyre will have a winning formula. As it stands, Where Obscurity Sways stays obscure.

Rating: 2.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Osmose Productions
Websites: pyredeathmetal.bandcamp.com | facebook.com/pyredeathmetal
Releases Worldwide: January 31st, 2025

#20 #2025 #BlackBreath #BlackMetal #BlazingRust #Bloodbath #DeathMetal #DeathDoomMetal #Entombed #FumingMouth #Hardcore #Jan25 #OsmoseProductions #Pyre #Review #Reviews #RussianMetal #Thorn #WhereObscuritySways

Monolith – Lord of the Insect Order Review

By Dear Hollow

Monolith is the herald of Earth’s new overlords: the insect swarm. Insects outnumber humans an estimated 1.8 billion to 1, so it was only a matter of time Once united by a hive mind, the planet doesn’t stand a chance. The twist though is that the master race, the Lord of the Insect Order, so to speak, is giant space caterpillars. While Monolith’s first 2024 release Hornets Nest focused on the general depravity of the human condition, Lord of the Insect Order brings the B-movies and pulp. It’s War of the Worlds but with bugs, and you should be afraid, very afraid. In a tidy thirty-two minutes, Monolith takes us on a journey into humanity’s insignificance at the hands of insectoid overlords.

Their 2020 sophomore effort No Saints No Solace was received poorly by the illustrious Saunders but things have changed: Monolith’s got range.1 2024’s Hornets Nest was a foray into untouched territory, as the typically deathcore quartet dove headlong into crusty blackened hardcore that felt like Black Breath, This Gift is a Curse, and Nails got together for a brunch of tar and rusty wrenches—in perhaps one of the most surprisingly solid forays into unfamiliar territory. Lord of the Insect Order is back to its deathcore roots, but experimentation is still a heavy emphasis for this English quartet (from Devon and Cornwall). The first half creates more doom-oriented menace, a bit of The Acacia Strain sans hardcore scrappiness, while the second dives back into the Boris the Blade and Aversions Crown breakdowns-and-blastbeats bread-and-butter you expect from deathcore. Ultimately, thanks to tasteful length, emphasis on relentless beatdown, and never taking itself too seriously, Monolith towers with its cosmic caterpillars.

Truthfully, I’m not sure why more deathcore doesn’t dive into death/doom, because as The Acacia Strain’s Failure Will Follow taught us, the knuckle-dragging crunch fits like a glove into slow-motion pummeling. As such, the first act’s offerings like “Swarm’s Offering” and “Progeny Feast” slow things down to a menacing crawl that doesn’t necessarily forsake its breakdowns and down-tuned noodling, but weaponizes them alongside absolutely vicious vocals and haunting synths. Atmosphere shines most prominently in this half, with the yearning instrumental title track and lamenting “Planetary Hardening” offering synth-infected dirges that reflect upon the ruined landscape and eradicated race. The second act, ripped into creation with “Eclosion; Rise of the Imago Predator,” attacks with relentless brutality that recalls tempo-abusing interpretations like Aversions Crown or Osiah. The common thread of the yearning atmosphere infects “Parasitic Accession” and “Lonomia Pestilence” like a last tragic gasp before being wholly consumed – by a cosmic caterpillar. Neatly, these two sounds do not contradict, as Monolith’s viciousness is only highlighted by its ambiance. It concludes with the most bombastic track, “Unfurling of the Cosmic Caterpillar,” which borrows slightly from the doom palette for a song as epic as it is punishing—a suitable ending to an insane album.

While the differences between the two acts lend themselves to inconsistency, Monolith’s seamlessness between them and the natural resulting crescendo works like the plotline of an engaging story benefited by the influence of B-movie schlock. That being said, for thirty-two minutes, there are a few filler moments. Album intro “IRAS; Larval Comet” and “Holometabolism” do a solid job adhering to the album’s killer cosmic caterpillar theme and establishing the atmosphere in ways that reflect Aegaeon or early Kardashev. However, with such a short runtime Monolith would do well to trim the excess; the first half in particular could do with some more fleshing and breadth, as the three 3-5 minute doom tracks leave me wanting more. The second half, in particular, will not sway deathcore naysayers, as its emphasis on excess and constant breakdowns is never subtle. While Monolith’s theme is lighthearted, recalling the antics of A Breath Before Surfacing, their skill and brutality are certainly forces to be reckoned with.

Monolith’s second 2024 full-length benefits from its frivolous B-movie influence and willingness to experiment. While I’d like to see more of the deathcore-gone-doom vibe, the second half is tight and uncompromising, the first is epic and formidable, and the atmosphere is a breath of fresh air amid the swarming instruments. Monolith’s range cannot be overstated, because Hornets Nest feels like a completely different beast but was equally formidable. Lord of the Insect Order flies by, will get your toe tapping and resurrect your fears of giant cosmic caterpillars overthrowing life as we know it.

Rating: 3.0/5.0
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Website: facebook.com/monolithuk | bandmonolith.bandcamp.com
Releases Worldwide: August 23rd, 2024

#2024 #30 #ABreathBeforeSurfacing #Aegaeon #AtmosphericDeathMetal #Aug24 #AversionsCrown #BlackBreath #BorisTheBlade #DeathMetal #DeathDoomMetal #Deathcore #DoomMetal #EnglishMetal #Kardashev #LordOfTheInsectOrder #Monolith #Nails #Osiah #Review #Reviews #SelfRelease #TheAcaciaStrain #ThisGiftIsACurse

Dw i ddim yn gwybod lot am #metal ond dw i’n gwybod beth dw i’n ei hoffi

#BlackBreath - Home of the Grave

https://www.youtube.com/watch?v=158RKJAQGY4