‘Kokuho’ Makeup Dept. Head Kyoko Toyakawa & Kabuki Makeup Artist Naomi Hibino On Telling The 50-Year Story Of A Kabuki Actor Through Makeup
#BelowTheLine #News #Awardsbtl #GKIDS #HairMakeup #Kokuho #KyokoToyokawa #NaomiHibino

https://deadline.com/2026/02/kokuho-makeup-kyoko-toyakawa-naomi-hibino-interview-1236736351/

‘Kokuho’ Makeup Dept. Head Kyoko Toyakawa & Kabuki Makeup Artist Naomi Hibino On Telling The 50-Year Story Of A Kabuki Actor Through Makeup

Makeup dept. head Kyoko Toyokawa and Kabuki makeup artist Naomi Hibino on telling a 50 year story of a Kabuki actor through makeup in 'Kokuho'.

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‘Sentimental Value’ Editor Olivier Butte Coutté On Balancing A Multi-Character Film So Every Character “Drives The Film”
#BelowTheLine #News #Awardsbtl #Editing #OlivierButteCoutté #SentimentalValue

https://deadline.com/2026/02/sentimental-value-editor-olivier-butte-coutte-interview-1236729752/

‘Sentimental Value’ Editor Olivier Butte Coutté On Balancing A Multi-Character Film So Every Character “Drives The Film”

Editor Olivier Butte Coutté on balancing each character's story so they all drive the film in a multi-character narrative for 'Sentimental Value'.

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‘After The Hunt’ Production Designer Stefano Baisi On Creating “Layers Of History” To Match The Apartment Of An “Academic Elite”
#BelowTheLine #News #AfterTheHunt #Awardsbtl #ProductionDesign #StefanoBaisi

https://deadline.com/2025/12/after-the-hunt-production-designer-stefano-baisi-interview-1236655364/

‘After The Hunt’ Production Designer Stefano Baisi On Creating “Layers Of History” To Match The Apartment Of An “Academic Elite”

'After The Hunt' production designer Stefano Baisi on creating layers of history to match the apartment of an academic elite.

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How Production Designer Fiona Crombie Recreated Shakespeare’s Iconic Theater With A “Rough And Rustic” Aesthetic For ‘Hamnet’
#BelowTheLine #News #Awardsbtl #FionaCrombie #FocusFeatures #Hamnet #ProductionDesign

https://deadline.com/2025/12/hamnet-fiona-crombie-production-design-globe-interview-1236654653/

How Production Designer Fiona Crombie Recreated Shakespeare’s Iconic Theater With A “Rough And Rustic” Aesthetic For ‘Hamnet’

How production designer Fiona Crombie recreated Shakespear's iconic Globe Theatre to match the story of 'Hamnet'.

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Chloé Zhao & Affonso Gonçalves On Editing The Play To “Weave Towards A Catharsis” For The Ending Of ‘Hamnet’
#BelowTheLine #News #AffonsoGonçalves #Awardsbtl #ChloéZhao #Editing #Hamnet

https://deadline.com/2025/12/chloe-zhao-affonso-goncalves-hamnet-editing-video-feature-1236654378/

Chloé Zhao & Affonso Gonçalves On Editing The Play To “Weave Towards A Catharsis” For The Ending Of ‘Hamnet’

Chloé Zhao & Affonso Gonçalves on editing the 'Hamlet' sequence to weave towards a catharsis for the end of 'Hamnet'

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How Production Designer Nathan Crowley Wove Together Trees And Made A Castle Float To Expand The World Of Oz In ‘Wicked: For Good’
#BelowTheLine #News #Awardsbtl #NathanCrowley #ProductionDesign #UniversalPictures #WickedForGood

https://deadline.com/2025/12/wicked-for-good-production-design-nathan-crowley-interview-1236647948/

How Production Designer Nathan Crowley Wove Together Trees And Made A Castle Float To Expand The World Of Oz In ‘Wicked: For Good’

How production designer Nathan Crowley wove together trees and made a castle float to expand the world of Oz in 'Wicked: For Good'.

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How Writer-Director Rian Johnson & Cinematographer Steve Yedlin Went “Theatrical With Natural Light Shifts” For ‘Wake Up Dead Man’
#BelowTheLine #News #Awardsbtl #Netflix #RianJohnson #SteveYedlin #WakeUpDeadMan

https://deadline.com/2025/12/rian-johnson-steve-yedlin-wake-up-dead-man-cinematography-1236644906/

How Writer-Director Rian Johnson & Cinematographer Steve Yedlin Went “Theatrical With Natural Light Shifts” For ‘Wake Up Dead Man’ 

How writer-director Rian Johnson & cinematographer Steve Yedlin went theatrical with natural light shifts for ‘Wake Up Dead Man’.

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‘One Battle After Another’ Editor Andy Jurgensen On Balancing Genres & Being “Fluid” In The Edit

Editor Andy Jurgensen on balancing multiple genres and being fluid in the edit for 'One Battle After Another'.

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‘Hacks’ Production Designer Rob Tokarz On Bringing A Touch Of “Weirdness” To The Late Night Set & Highlighting Deborah’s Vegas Roots
#BelowTheLine #News #Awardsbtl #Hacks #Max #ProductionDesign #RobTokarz

https://deadline.com/2025/08/hacks-production-design-rob-tokarz-interview-max-1236494430/

‘Hacks’ Production Designer Rob Tokarz On Bringing A Touch Of “Weirdness” To The Late Night Set & Highlighting Deborah’s Vegas Roots

‘Hacks’ production designer Rob Tokarz on bringing a touch of weirdness to the late night set & highlighting Deborah Vance’s Vegas roots.

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‘Agatha All Along’ Costume Designer Daniel Selon On Fleshing Out Each Witches’ Story Through Color, Accessories & “Theory Behind Magic And Occult”
#BelowTheLine #News #Agathaallalong #Awardsbtl #CostumeDesign #DanielSelon #Disney

https://deadline.com/2025/08/agatha-all-along-costume-design-daniel-selon-interview-1236492263/

‘Agatha All Along’ Costume Designer Daniel Selon On Fleshing Out Each Witches’ Story Through Color, Accessories & “Theory Behind Magic And Occult”

‘Agatha All Along’ costume designer Daniel Selon on fleshing out each witches’ story through color, accessories & theory behind magic and occult.

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