Tutto nasce da una mail. Un lettore mi ha scritto ponendo 16 domande su come si valorizza una campagna pubblicitaria nazionale in Radio: audience, AQH, GRP, CPP, target, costo, pressione.

Ne è nato un articolo. E forse qualcosa di più: Lettere al Direttore. Uno spazio per trasformare domande vere in risposte utili.

#Radio #RadioAdvertising #RadioMarketing
#PubblicitàRadiofonica #Audience #AQH #GRP #CPP

👇 👇 Articolo FREE sul blog www.astorri.it. 📻 📻

https://www.astorri.it/non-si-compra-uno-spot-si-compra-ascolto-aqh/

What Writers Can Learn From The Short Film That Launched a $1 Billion Franchise

Selling, Not Selling Out ‘Write me a low-budget screenplay that launches a $1 billion dollar franchise.’  A producer said this in a room full of writers I was in, back at the very beginning of my career. To say it landed with me BIG TIME is an understatement. It made me realise that story is… Read More » What Writers Can Learn From The Short Film That Launched a $1 Billion Franchise
The post What Writers Can Learn From The Short Film That Launched a $1 Billion Franchise appeared first on Bang2write.
https://bang2write.com/2026/05/what-writers-can-learn-from-the-short-film-that-launched-a-1-billion-franchise.html

#advice #audience #boxoffice #budgets #casestudy

Spectators at a surfing contest, Huntingdon Beach, California, USA, 1962

https://piefed.social/c/historyphotos/p/2032708/spectators-at-a-surfing-contest-huntingdon-beach-california-usa-1962

I rebuilt my blog's cache. Bots are the audience now

https://hoeijmakers.net/thirty-years-of-caching-sorted-in-an-afternoon/

#HackerNews #blogging #caching #bots #audience #technology

Writing for the Unborn

By Cliff Potts, CSO, and Editor-in-Chief of WPS News

Baybay City, Leyte, Philippines — May 3, 2026, 10:05 a.m.

Most of what I write will not be read today. That is not pessimism. That is structure. The timeline I’m working on does not reward immediacy. It rewards survival. Platforms shift, audiences drift, and attention resets every morning like nothing came before it. If I measure the work by what happens in the first twenty-four hours, then the work will always look like failure. So I don’t. I measure it by whether it still exists when someone goes looking for it later.

That changes how you write. You stop trying to win the moment and start trying to leave a record. You choose clarity over cleverness. You document what actually happened, not what plays well. You accept that most people will scroll past, and that some of the people who need it most have not even been born yet. That is the audience. Not the crowd. Not the algorithm. The future reader who stumbles into a piece of writing and realizes someone was paying attention when it mattered.

For more from Cliff Potts, see https://cliffpotts.org

If this work helps you understand what’s happening, help me keep it going: https://www.patreon.com/cw/WPSNews