Slaapkamer in het kasteel van Saint-Cloud, Florent Grau, 1858 - Rijksmuseum

Vijf proefdrukken voor de Almanack for 1887, anoniem, naar Kate Greenaway, in of voor 1886 - Rijksmuseum

Landschap met regenbui, Alfred Elsen, 1860 - 1910 - Rijksmuseum

Familiesalon in het kasteel van Saint-Cloud, Ernest Eléonor Pierre Lamy, ca. 1860 - in of voor 1870 - Rijksmuseum

Portretten van vier leden van het Lagerhuis van de staat New York, anoniem, ca. 1872 - in of voor 1882 - Rijksmuseum

Gezicht op rotsen in Salt Creek canyon in Utah, Timothy H. O'Sullivan (mogelijk), ca. 1871 - in of voor 1875 - Rijksmuseum

Plattegrond van Saint-Cloud, Martin Marvie, 1744 - Rijksmuseum

Voorgevel van het kasteel van Saint-Cloud, Ernest Eléonor Pierre Lamy, ca. 1860 - in of voor 1870 - Rijksmuseum

The Doge's Palace, Venice | Cleveland Museum of Art

At the age of 22, Bonington achieved overnight success at the official (state sponsored) Paris exhibition known as Salon. Two years later, in 1826, he journeyed to Venice, a city that had long attracted landscape artists. At first, constant rain greatly depressed Bonington, but suddenly the weather changed and Venice was at its glorious best. Bonington frequently painted outdoors, capturing immediate impressions of Venetian architecture and sunlight. He made this particular study from a boat anchored in the lagoon near the Doge's Palace. The thick swirls of paint, with colors mixed together while still wet, indicates how rapidly the artist worked.