Old Masters painting SHORTCUT method - video tutorial - YouTube https://m.youtube.com/watch?v=CNOyYhivhQ8
#art #arttechnique #layering #painting
Old Masters painting SHORTCUT method - video tutorial

YouTube
FLEMISH PAINTING TECHNIQUE - Old Masters UNDERPAINTING technique (Jan Van Eyck)

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Plongez dans l’univers vibrant de la peinture acrylique avec notre guide incontournable ! 🎨 Que vous soyez novice ou en quête d’inspiration, découvrez 5 conseils essentiels pour maîtriser cette technique polyvalente et donner vie à vos premières œuvres. Laissez libre cours à votre créativité et révélez l’artiste qui sommeille en vous.
👉 https://artistin.fr/slug-raccourci-5-conseils-pour-peinture-acrylique-guide-debutants/
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5 Conseils Essentiels Pour Débuter La Peinture Acrylique: Guide Complet Pour Débutants

Découvrez nos 5 conseils essentiels pour commencer la peinture acrylique, un guide complet pour les débutants passionnés d'art.

Artist'In

Unlock 70 years of painting wisdom—Bob Henry guides you through composition, technique & artistic thinking: https://www.bobhenryarts.com/

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Part 4 : Multiple Glaze Layers

So we're finally here, the final part of my repainting of Clayton Crain's original art piece, from his Ghost Rider series. I've painted the whole painting primarily in oil, somewhat like the Venetian style of painting, which I felt would most emulate the effect of Clayton Crain's technique using Photoshop.

Part 3 : The Dead Layer (in Alkyd Oil Paint)

Now we're finally coming closer to the nitty gritty of this painting. In this part as specified by the title, I'll be detailing the materials and methods used in the dead layer for my repainting of Clayton Crain's Original Artpiece, from his Ghost Rider series. This part will be done exclusively in Alkyd's ( a lovely fast drying oil paint )

Materializing Inspiration

Liquin Fine Detail is still my preferred medium till today though I’ve adjusted how I use it depending on what results I would like.. This was a log of some preliminary experiments I did with medium ratios when I first tried it..

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https://open.substack.com/pub/jacquelinegomezfineartist/p/liquin-fine-detail-medium-painters-log?r=35189p&utm_campaign=post&utm_medium=web&showWelcomeOnShare=true

Liquin Fine Detail ( a medium painters log ) (Dead Layer)

Testing out Liquin Mixtures for Medium (for first layer of dead layer) As this was my first time trying Liquin Fine Detail (which I found to be very different compared to the Original Liquin) I had to experiment first to learn the best balance of medium needed to suit my painting style.

Materializing Inspiration

A very short blog post on this from the archives that I've just imported to Substack!..

For them folks who missed previous updates I've recently joined Substack and am importing my archived blog posts there too!...

Do check it out and subscribe (it's free!)

https://open.substack.com/pub/jacquelinegomezfineartist/p/how-liquin-applies-to-fat-over-lean?r=35189p&utm_campaign=post&utm_medium=web&showWelcome=true

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How Liquin applies to the Fat over Lean Principle

Any discussion about oil painting and medium would be incomplete without mentioning the FAt over Lean rule... The premise of Fat over Lean is that each successive layer needs to be fatter (usually meaning more oil content thus slower drying) than previous layers, so that the top layer does not dry faster than the previous layers.

Materializing Inspiration
Part 1 : Preliminary Drawing

Below I will be detailing the beginning stages of the Ghost Rider Painting (Clayton Crain's Original Artpiece) which I have attempted to imitate in Oils. The preliminary drawing was done on tracing paper first so that any mistakes or reworking could be done without worrying about effecting the actual final surface to be painted on (canvas board).

Materializing Inspiration