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Ultras clashes in Turin, supporter injured by a bottle.

The 36-year-old remains hospitalized in a reserved prognosis.

“One night my husband threw an ashtray at me and that evening I decided to flee. I was full of blood and terrified, a friend rescued me,” she reveals Dalila Di Lazzaro.

Dalila Di Lazzaro was a guest on “Da noi… a ruota libera” (With Us… On Wheels), the program hosted by Francesca Fialdini on Rai1, yesterday, May 24th. During the interview, the actress recounted moments from her private life and her career.

She stunned the studio audience with the story of a personal episode: “One night, my husband threw an ashtray at me, and that evening I decided to run away. I didn’t want to live that life anymore. I quietly took my coat and ran away into the darkness of the night. While I was on the street, a friend rescued me, taking me to his attic. I was covered in blood and terrified. During that time, I met a girl in Lignano Sabbiadoro and we ran away to Rome together.”

“I lived with shyness with so much difficulty,” the actress said. “Ever since I was a child, I started acting. Many times I had to shoot scenes naked. It was a shock: during the day I was on stage, and in the evening I went to the clinic.”

Di Lazzaro then remembered her youth and the decision to leave Friuli: “I left Udine for necessity. I had a son at 15 years old, and there was a lot of bad blood in my family. I had to work to support my husband and my son.”

Regarding the beginnings of her career: “They took me to all the auditions, I didn’t feel confident, but it was okay.” Then the memory of her encounter with Andy Warhol: “A photographer asked me to go to America, and I met Andy Warhol.”

Regarding her flirtation with Alain Delon, the actress recounted: “A beautiful man. When I was a child, I had a poster of him in my room. The first time I saw him, I was stunned. He brought me to the dressing room and asked me to see him without makeup and said, ‘How beautiful you are, you are beautiful.’”

Di Lazzaro also spoke about her relationship with Gianni Agnelli: “If the press hadn’t written about our relationship, no one would have ever known. We were very reserved. A man who made me laugh a lot, but eventually I got bored. I fell in love with a boy my same age and I left him.”

Finally, about her partner, Manuel Pia, who she has been with for fourteen years: “Because he is younger than me, I didn’t want people to tarnish our relationship. Pure love exists. Our story has remained secret for many years.”

The article “One night, my husband threw an ashtray at me and that evening I decided to run away. I was covered in blood and terrified, a friend rescued me” is from Il Fatto Quotidiano.

#DalilaDiLazzaro #Wheels #FrancescaFialdini #Lignano #Friuli #Udine #AndyWarhol #America #AlainDelon #first #GianniAgnelli #ManuelPia #IlFattoQuotidiano

https://www.ilfattoquotidiano.it/2026/05/25/una-notte-mio-marito-mi-ha-tirato-un-posacenere-addosso-e-quella-sera-ho-deciso-di-scappare-ero-piena-di-sangue-e-impaurita-mi-ha-soccorso-un-amico-lo-rivela-dalila-di-lazzaro/8397645/

Le Samouraï (1967) es un ejercicio de precisión helada. Melville reduce el noir a gestos mínimos y silencios cargados, con Alain Delon como un asesino casi inorgánico. La puesta en escena es geometría pura: pasillos vacíos, gabardina y soledad. No hay moralina, solo destino. Fría, elegante y despiadada, define el antihéroe moderno.

#LeSamouraï #JeanPierreMelville #CineNoir #AlainDelon #CineFrancés

"L’amour, c’est comme Alain Delon…"

Un miroir brisé, de la salive en bulles, une dent manquante exhibée. Un homme face à son reflet, un flic dont la peau semble viande de porc hachée

Et cette phrase qui tourne en boucle, absurde et glaçante : "L’amour, c’est comme Alain Delon, ça parle à la troisième personne, c’est has-been et son fils c’est un naze"

L’amour ici n’est plus qu’un slogan vide, un mantra que l’on remplit de sa propre folie.

👉 Lire l’extrait

#Littérature #ProseCrue #AlainDelon

𝐅rench 𝐓ouch

𝐏𝐥𝐞𝐢𝐧 𝐒𝐨𝐥𝐞𝐢𝐥
Film de #RenéClément en 1960
Avec #AlainDelon #MarieLaforêt #MauriceRonet et #RomySchneider

#LaFrenchTouch #PleinSoleil #BlazingSun #culte #classic
#cinema #french #patrimoine #cinegenres #film #movie

𝐕ersions 𝐂omplètes :
https://cinegenres.com/news/

𝐉𝐞𝐚𝐧-𝐏𝐢𝐞𝐫𝐫𝐞 𝐌𝐞𝐥𝐯𝐢𝐥𝐥𝐞
Cinéaste Français (1917-1973)

Léon Morin, prêtre en 1961
Le Doulos en 1962
L'Aîné des Ferchaux en 1963
Le Deuxième Souffle en 1966
Le Samouraï en 1967
L'Armée des Ombres en 1969
Le Cercle Rouge en 1970
Un Flic en 1972

#JeanPierreMelville #JeanPaulBelmondo #AlainDelon #LinoVentura
#cinegenres #culte #classic #cinema #film #movie

𝐕ersions 𝐂omplètes :
https://cinegenres.com/news/

Der Italowestern hat ja nie so getan, als wäre er etwa unschuldig. Er hat immer schon die Kulisse aufgerissen und offen gezeigt, dass „der Westen“ nur ein Produkt ist, gebaut aus Mythen und aus Geld. „Soleil rouge“ steht eigentlich genau in dieser Tradition, aber er schiebt sie noch einmal weiter, als würde das ganze Genre hier die Balance verlieren und sich dabei endlich ehrlich machen. Mit Charles Bronson, Alain Delon, Ursula Andress und Toshirō Mifune. (ZDF, Wh.)