« Rencontres Acousmatiques 2026 »
3 & 4 juillet @ CRANE lab
Ben FUHRMAN
https://text.tchncs.de/cranelab/rencontres-acousmatiques-2026-1412
Re-naturalizing Loudspeaker Listening : Consider the Environment

#cranelab #BenFuhrman #acousmatic #acousmatique #3Daudio #ElectronicMusic #music #MultichannelMusic #AcousmaticMusic #MusiqueAcousmatique #electroacoustic #AudioResearch
@acousmatic
@composers
@MultichannelMusic
@ContemporaryMusic
@electronicmusic

We rebuilt Sounding Future. 🔊
Two years ago this started as a small editorial platform for spatial audio and sound art. This week we relaunched it from the ground up — and there's a lot that's genuinely more useful now.

👉 https://soundingfuture.com/
#SpatialAudio #SoundArt #3DAudio #MusicTech #Ambisonics

Oeksound veröffentlichen mit Soothe 3 die neue Version ihres Dynamic Resonance Suppressors, der mit verbesserten Algorithmen, Low-Latency-Modus und weiteren neuen Features kommt.

Die finnische Software-Schmiede Oeksound präsentiert mit Soothe 3 die neue Version des Dynamic Resonance Suppressors. Der Hersteller hat mit dem Tool den Grundstein für dynamische Resonanzunterdrückung gelegt, die anschließend auch in viele andere Tools implementiert wurde, beispielsweise dem Fabfilter Pro-Q 4 und W.A. Production Deres.

[…]

« Rencontres Acousmatiques 2026 »
3 & 4 juillet @ CRANE lab
Patrick KIZNY
https://text.tchncs.de/cranelab/rencontres-acousmatiques-2026-wkjq
System as a medium.
 Space as an instrument.

#cranelab #PatricKizny #acousmatic #acousmatique #3Daudio #ElectronicMusic #music #MultichannelMusic #AcousmaticMusic #MusiqueAcousmatique #volumiphony #volumiphonie #electroacoustic #AudioResearch
@acousmatic
@volumiphony
@composers
@MultichannelMusic
@ContemporaryMusic
@electronicmusic

All of my music releases are now available on the new All of my music releases are now available on the new platform :
https://www.subvert.fm/jeanvoguet
#subvert
But you can also listen to and purchase all these music releases on the excellent platform :
https://bandwagon.fm/@jeanvoguet
#bandwagon
:)

#JeanVoguet #acousmatic #Volumiphony #3daudio #ElectronicMusic #music #geophonodesy #heterotopia
@acousmatic
@composers
@ContemporaryMusic
@volumiphony
@MultichannelMusic
@electronicmusic

« Rencontres Acousmatiques 2026 »
3 & 4 juillet @ CRANE lab
Isabelle de MULLENHEIM
https://text.tchncs.de/cranelab/rencontres-acousmatiques-2026-h7pm
Re-naturaliser l’écoute : quelle représentation du son ?

#cranelab #IsabelleDeMullenheim #acousmatic #acousmatique #3Daudio #ElectronicMusic #music #MultichannelMusic #AcousmaticMusic #MusiqueAcousmatique #volumiphony #volumiphonie #electroacoustic #AudioResearch
@acousmatic
@volumiphony
@composers
@MultichannelMusic
@ContemporaryMusic
@electronicmusic

Hey y’all. Question for all the sound designer folks out there… what tips, tricks, workflows, or plug-ins have made your life easier?

I’m getting back into sound design with a song I’m working on and honestly, I forgot how much fun this stuff is. Been experimenting with movement, space, textures, transitions, automation, all of it.

I’ve heard of plug-ins that can make sounds feel super immersive and almost “3D” around your head. I know Logic Pro has built-in spatial audio tools and binaural stuff. Curious what y’all are using these days, especially for:
• Easy automation workflows
• Creative movement/panning
• Ambient textures
• Sound transitions
• Accessible workflows if any blind producers are on here

I’m doing this project in REAPER right now and just wanna learn from everybody’s setups and experiences.

#SoundDesign #MusicProduction #AudioProduction #ReaperDAW #Reaper #SpatialAudio #3DAudio #BinauralAudio #Mixing #ProducerLife #Synths #FilmScoring #GameAudio #Accessibility #BlindProducer #AudioEngineering

« Rencontres Acousmatiques 2026 »

3 & 4 juillet @ CRANE lab linktr.ee/cranelab https://soundcloud.com/isabelle-de-mullenheim

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https://text.tchncs.de/cranelab/rencontres-acousmatiques-2026-h7pm