Cameras Obscura
“It is not possible to describe for you the beauty of it in words: all painting is dead in comparison, for here is life itself, or somethin...
A View of Delft
“For it is not a question of presenting works in correlation with their time, but rather, in the time in which they are born, of presenting ...
Three Colour 8mm Film
Three-colour process still In writing a blog about film-based photography, there is always an unacknowledged (or perhaps under acknowledged)...
'ADDITIONAL POURTRAYALS [sic]'
"One of the internet's most intriguing capabilities, for a topographical film-maker, was that it offered contemporaneous views of distant la...
Eastman Double-X - Part Two
In the three years since my post on Eastman Double-X film , observing interest online, the popularity of this motion picture film stock amon...
Cameras Obscura
“It is not possible to describe for you the beauty of it in words: all painting is dead in comparison, for here is life itself, or somethin...
A View of Delft
“For it is not a question of presenting works in correlation with their time, but rather, in the time in which they are born, of presenting ...
Three Colour 8mm Film
Three-colour process still In writing a blog about film-based photography, there is always an unacknowledged (or perhaps under acknowledged)...
'ADDITIONAL POURTRAYALS [sic]'
"One of the internet's most intriguing capabilities, for a topographical film-maker, was that it offered contemporaneous views of distant la...
Workers Not Leaving The Factory
“The lights leap up, and at their sudden descent you see upon the cloth a factory at noon disgorging its inmates. Men and women jostle and ...
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