Pattern: The Devoe Hat, Fleisher's Knitting & Crocheting Manual, 19th Edition, 1922
Yarn: merino wool (50 g/160 m), 40 g white, 120 g black
Hook: 3.5 mm
Notes: I had to reduce the number of stitches for the crown from 102 (6x17) to 96 (6x16) stitches. And increased the brim to 114 st before starting the triangles.
#vintagecrocheting #crocheting #historicalpattern #historicalfashion #1920s #1920spattern #1920sstyle #haekeln

May 28, 1924 and Take Your Choice at Vintage Edmonton:

http://www.vintageedmonton.com/2026/05/may-28-1924.html

#yeg #alberta #edmonton #1920s

After another number from London, under a waterfall of atmospheric noise, the announcer says it's coming from what he calls the "British Broadcasting Company". The Royal Charter was still a year away.

(My apologies for the sloppy caption cards. It's been awhile since I've done a video like this.)
#BBC #Longwave #1920s

In honor of BBC Radio 4 LW closing down next month, a trip back to New Year's 1926, where 5XX Daventry was trying to use longwave to bridge the Atlantic...and how that sounded in America.

This is a snippet of a miracle recording that shouldn't exist. I promise, it's the real deal. #BBC #Longwave #1920s

The Girl Behind the Door #TDWC

Wednesday, May 27, 2026

1920s New Orleans home iron balconies gate on vintage newspaper, composite image by Teagan R Geneviene

Welcome, all.  Dan Antion‘s Thursday Doors Writing Challenge.   To join the fun, pick one of the doors that were submitted as inspiration for the challenge and write.  It doesn’t have to be a story — write anything that door image inspires in you.

The inspiration door I chose for today’s story is one of my own.  It’s an illustration I made for A Peril in the Vines.  So, my “story” today is actually an excerpt from that book.  Below, a historian tells our heroes about his encounter with the strange young girl who becomes central to the mysterious events of the book.   

The Girl Behind the Door

“Don’t worry,” he said.  “Yes, it was an atrocity story, but I haven’t the heart to talk about those details.  It could have been even worse, but maybe it isn’t at that.  As a matter of fact, those Ottoman soldiers got a little dose of their own medicine.  You see, they were headed for that church.  When they got there the whole thing blew up like a bomb hit it dead center!” Voisin finished with a shout.

“Oh!” Clover cried, startled by his sudden increase in decibels.

“Yes ma’am.  There’s a turnaround for you,” he added.  “Strange, don’t you think?  The Young Turks had created a special organization, which in turn organized killing squads or ‘butcher battalions’ to carry out, as one officer put it, ‘the liquidation of the Christian elements.’  They didn’t even spare the children,” Voisin said, but paused for a gulp of his whiskey.

The historian’s story, and the obvious effect the experience had on him, even years later was evident.  It made Daphne wish for a stronger drink than the glass of champagne that remained untouched in her hand.  The ambassador visibly collected himself and continued.

“Well, at first, I thought those Young Turks had been celebrating and had monkeyed round with their own explosives,” he picked up his story.  “As it turned out, they didn’t have anything of the sort with them.  So, I ask you, what should a bunch of nuns know about dynamite or bombs?”

“Bushwa!” Phineas exclaimed.  “Yes siree bob, that’s odd alright.”

“I interviewed several of the Turkish villagers in the area about the matter.  There were still some Armenians around, but they weren’t about to come out of hiding.  According to them it was a bonified, first-class modern miracle.  They laid it all to a little gypsy girl.  Not in a bad way, mind you.  To hear the villagers tell it, the child was a budding saint,” he paused to gauge the reaction of his audience.

Daphne’s hand had involuntarily gone to her stomach when a cold knot of foreboding settled there.  She forced her hand to her side.  To mask her unease, the medium asked an unnecessary question.

“Not in a bad way, you say?” she repeated as she tried to collect an array of emotions.

“Do you mean to tell us that the little gypsy girl set that big bomb herself?” Phinny broke in excitedly” and Mr. Voisin chuckled fondly at his enthusiasm.

“Ha!  No, young man.  That’s not what I mean.  Well, actually, in a way she did, but not in the way you mean,” the ambassador spoke confusingly, and Phineas looked about to burst.  “Perhaps you’ll understand it, Miss Moultrie, considering your gifts.  The locals said that the child went into trances, and that she saw visions.  They said she was responsible for the whole thing.”

 

♣ ♣ ♣

End of excerpt.

♣ ♣ ♣

Links to that book are below.  Friendly comments are welcome.  Thanks for opening this door.  Hugs!

♣ ♣ ♣

Of course, here’s the obligatory shameless self-promotion.

A Peril in the Vines

Universal Purchase Links

A Peril in the Vines

e-book:  relinks.me/B0DS4G7RSD

Paperback:  relinks.me/B0DS69GJDV

A Medium’s Peril full series link: relinks.me/B0CG2SXX24

♣ ♣ ♣

This post is part of Dan Antion 6th Annual Thursday Doors Writing Challenge (TDWC). Click the blue link for more information about the challenge and how to showcase your stories.)  Fortunately for me, Dan’s rules for the writing challenge are wonderfully flexible and include any sort of creativity. 

 

This blog is entirely human-written.  Furthermore, the author expressly prohibits any entity from using this publication for purposes of training AI technologies to generate text.  No part of this work may be reproduced, scanned, or distributed in any printed or electronic form without permission.  Please do not participate in or encourage piracy of copyrighted materials in violation of the author’s rights.

All images are either the property of the author, or used with permission, or from free sources.

Copyright © 2026 by Teagan Ríordáin Geneviene

All rights reserved.

#1920S #AMediumSPeril #APerilInTheVines #Paranormal #TDWc #TeaganRiordainGeneviene #ThursdayDoors #WritingChallenge

Foolproof. I can't see any possibility of something going wrong with this contraption.

https://youtu.be/K1c28meto3c

#1920s #Inventions

The Snow-Burner: A Crazy 1920s Invention

YouTube

Life in China During the Early 1920s Through Vintage Photographs

📰 Original title: Fascinating Vintage Photos Capture Life in China in the Early 1920s

🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅

View full AI summary: https://en.killbait.com/life-in-china-during-the-early-1920s-through-vintage-photographs.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world

#culture #china #1920s #vintagephotos

Life in China During the Early 1920s Through Vintage Photographs

Life in China during the early 1920s reflected a stark contrast between rapid modernization in urban centers and traditional rural life. In cities like Shanghai and Guangzhou, new technologies such as electric trams and automobiles transformed the landscape, while neon signs illuminated bustling streets. The era saw the rise of the “Modern Girl,” a cultural shift in fashion with the Qipao evolving into a stylish, body-fitting garment, and Western jazz blending with traditional Chinese opera in local entertainment venues. Meanwhile, the countryside remained largely agrarian, with villagers facing famine, poverty, and the influence of local warlords. Intellectual movements in Beijing, driven by university students, challenged Confucian traditions and sought societal reform, though most of the population still observed ancestral customs and the lunar calendar. The vintage photographs, captured in 1922 by an unknown German traveler, depict daily life across various settings, including busy city streets, temples, ferries, sugar mills, and households, offering a rare glimpse into a society navigating profound social and cultural transformation.

KillBait

Life in China During the Early 1920s Through Vintage Photographs

📰 Original title: Fascinating Vintage Photos Capture Life in China in the Early 1920s

🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅

View full AI summary: https://en.killbait.com/life-in-china-during-the-early-1920s-through-vintage-photographs.html?utm_source=mastodon_social&utm_medium=social&utm_campaign=killbait.mastodon_social

#culture #china #1920s #vintagephotos

Life in China During the Early 1920s Through Vintage Photographs

Life in China during the early 1920s reflected a stark contrast between rapid modernization in urban centers and traditional rural life. In cities like Shanghai and Guangzhou, new technologies such as electric trams and automobiles transformed the landscape, while neon signs illuminated bustling streets. The era saw the rise of the “Modern Girl,” a cultural shift in fashion with the Qipao evolving into a stylish, body-fitting garment, and Western jazz blending with traditional Chinese opera in local entertainment venues. Meanwhile, the countryside remained largely agrarian, with villagers facing famine, poverty, and the influence of local warlords. Intellectual movements in Beijing, driven by university students, challenged Confucian traditions and sought societal reform, though most of the population still observed ancestral customs and the lunar calendar. The vintage photographs, captured in 1922 by an unknown German traveler, depict daily life across various settings, including busy city streets, temples, ferries, sugar mills, and households, offering a rare glimpse into a society navigating profound social and cultural transformation.

KillBait

How 1920s Women Embraced Cars as Symbols of Independence

📰 Original title: Freedom on Wheels: 1920s Women and the Automobile

🤖 IA: It's not clickbait ✅
👥 Users: It's not clickbait ✅

View full AI summary: https://en.killbait.com/how-1920s-women-embraced-cars-as-symbols-of-independence.html?utm_source=mastodon_world&utm_medium=social&utm_campaign=killbait.mastodon_world

#culture #women #1920s

How 1920s Women Embraced Cars as Symbols of Independence

In the 1920s, societal norms underwent dramatic changes, and the automobile emerged as a powerful symbol of freedom for women. No longer restricted to domestic roles or dependent on male drivers, women of this era confidently took the wheel, often photographed alongside sleek Model Ts or stylish roadsters. The decade saw the rise of the “New Woman,” who challenged traditional expectations through fashion, behavior, and mobility. Sporting bobbed hair, flapper dresses, and practical driving attire, women demonstrated autonomy both on the road and in society. These images captured the spirit of adventure, defiance, and modernity that defined the Jazz Age. Posing with cars became a visual statement of empowerment, signaling women’s entry into the broader public sphere. The act of driving was not merely practical but emblematic of social progress, personal freedom, and evolving gender roles. Through these photographs and cultural shifts, the 1920s showcased women actively shaping their destinies and embracing the technological and cultural innovations of the modern world.

KillBait