Внутрішній дворик біля Вірменської церкви у Львові. Сам по собі він має дуже вінтажний вигляд та ще й знято на протерміновану плівку що погано зберігалась. Тож ця мармурова вуаль ще більше додає ретро ))
Друкував, здається, максимальним контрастом щоб якось витягти зображення.
Знято на дуже цікаву британську камеру формату 127 з гравітаційним затвором

🧻 FOMA Fomaspeed Variant 312 8x10
🎞️ Efke R21 (EI 64) (exp 1992) in Rodinal 1+100
📷 Purma Special

#BelieveInFillm
#FilmPhotography
#127film
#darkRoomPrint
#Lviv
#streetphotography

Trammell Crow Center, Jurisdiction.
Dallas, 2015 — Rolleiflex 4×4 (Pre-war); 127 film.
Verticals render a ruling; the signal arm hangs in suspense, waiting for permission to finish the sentence.
© Morgan Gardner
#rolleiflex #127film #dallas #architecture

Museum Tower, Appeal.
Dallas, 2015 — Rolleiflex 4×4 (Pre-war); 127 film.
Balconies ring upward like petitions and the sky replies with reflection only.
© Morgan Gardner
#rolleiflex #127film #dallas #architecture

WPA Stone, Dealey.
Dallas, Texas – Rolleiflex 4x4 (Pre-war "Baby); 127 film.
The plaque still declares its years of service, the workers long gone. Even memorials have supervisors; even mercy was federally funded.
© Morgan Gardner
#rolleiflex #127film

Pairs.
Dallas, 2015 — Rolleiflex 4×4 (Pre-war “Baby”); 127 film.
Two trunks share a single gesture, diverging and rejoining like voices in counterpoint, their negative space holding the photograph’s breath.
© Morgan Gardner
#rolleiflex #127film

Twisted Limb.
Dallas, 2015 — Rolleiflex 4×4 (Pre-war “Baby”); 127 film.
An old branch bends skyward like a calligraphic stroke, its knots and scars echoing the city’s steel—the canopy answering architecture with memory.
© Morgan Gardner
#rolleiflex #127film

Unisex.
Venice, 2015 — Rolleiflex 4×4 (Pre-war “Baby”); 127 film
Under a mosaic wall and a blunt sign, someone folds into shade with their world in bags.
© Morgan Gardner
#rolleiflex #127film

Passing Lines.
Venice, 2015 — Rolleiflex 4×4 (Pre-war “Baby”); 127 film
Boardwalk traffic moves both ways while a couple points past and makes a frame of their own.
© Morgan Gardner
#rolleiflex #127film

Look Back.
Venice, 2015 — Rolleiflex 4×4 (Pre-war “Baby”); 127 film
A cluster of friends breaks and one face pins the camera, palms tilting in the wind behind.
© Morgan Gardner
#rolleiflex #127film